Baroque, Venice, Theatre, Philosophy

Provides a simultaneously detailed and accessible analysis of Baroque aesthetics

Takes a multidisciplinary approach to this under-explored subject, opening up the topic's analysis and interpretation to a wider audience

Investigates the intersection of contemporary and medieval philosophy in its exploration of Italian Baroque culture

Autorentext

Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.

Inhalt
Introduction.- Part I. Baroque Pastoral.- Chapter 1. Garden Thinking and Baroque Pastoral.- Chapter 2. Pastoral Askew and Aslant.- Chapter 3. Jesuit Pastoral Theatre.- Part II. Discipline and Excess.- Chapter 4. Ruzzante Takes Place.- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo'.- Chapter 6. Baroque Diarchic Self.- Bibliography.- Index.