This is a book about what becomes of the truth when it succumbs to generational memory loss and to the fictions that intervene to cause and fill the gaps. It is a book about the impossibility of writing an autobiography when there is a prepossessing cultural and familial 'we' interfering with the 'I' and an 'I' that does not know itself as a self, except metastatically as people and characters it has played but not actually been.

A highly original combination of close readings and performative autobiography, this book takes performance philosophy to an alternative next step, by having its ideas read back to it by experience, and through assorted fictions. It is a philosophical thought experiment in uncertainty whose literary, theatrical, and cinematic trappings illustrate and finally become what this uncertainty is, the thought experiment having become the life that was, that came before, and that outlives the 'I am'.

Expresses a type of performance behaviour as opposed to outlining a coherent narrative Provides a new model for creative scholarship Makes the case that the subjective voice is not just viable but useful in promoting academic ideas

Autorentext
Spencer Golub is Professor of Theatre Arts and Performance Studies, Comparative Literature, and Slavic Studies at Brown University, USA. He is the author of six books: A Philosophical Autofiction: Dolor's Youth; The Baroque Night; Incapacity: Wittgenstein, Anxiety, and Performance Behavior; Infinity (Stage); The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia; and Evreinov: The Theatre of Paradox and Transformation.

Inhalt

Preface.- 2. Field-State.- 3. Non-Disclosure.- 4. Cowbird.- 5. Generational Loss.- 6. Form of Life.- 7. Dog Anabasis.- 8. I'm Not Like Everybody Else.