This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called sport of kings functions as an accessible institutional structure through which to explore cinematic discussions about the British nationbut also, and equally, national approaches to British cinema.

Marks the first book to offer a comprehensive history of the British horseracing film Addresses the national attitudes towards the horseracing genre and how overseas input problematises the notion of 'Britishness' Uses British horseracing to explore wider issues such as gender and especially class

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Stephen Glynn lectures in Film and Television at De Montfort University, UK. His previous genre studies for Palgrave include The British Football Film (2018) and The British School Film (2016).

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