Autorentext

Natalia Kamovnikova is the author of Made Under Pressure: Literary Translations in the Soviet Union, 1960–1991 (UMass Press, 2019). A frequent presenter on translation, she has contributed to The Routledge Handbook of Translation and Censorship (2024) and The Routledge Handbook on the History of Translation Studies (2024). She is an independent scholar based in Saint Petersburg, Russia.

Klappentext

Examining how a single book inspired devotion, dread, and lasting superstition in Russian letters

When James Joyce first published Ulysses in 1922, the book enjoyed a hearty welcome in the Soviet Union. In fact, Russian was the second language into which excerpts were translated. However, the early enthusiasm soon gave way to apprehension, and then to public condemnation. The Russian literary community found itself at the epicenter of the political repression of the 1930s, suffering enormous losses among writers and translators, who died en masse through executions and exile. In the context of Ulysses, the numerous violent deaths of its Soviet translators and editors gave rise to rumors, which then developed into superstitious beliefs that managed to outlive their own time. Russian translation scholar Natalia Kamovnikova examines the struggles faced by those who attempted early translations, including death and imprisonment, and how both this translation work and the text itself became sources of fear.

Alongside important background on these early translation attempts, including information on the translators themselves, The Fearful Steelpen unpacks the literary approaches to rendering Joyce's aesthetics in Russian and traces the socio-political beliefs behind translation and publishing decisions. Kamovnikova goes further, to examine why Ulysses in particular aroused fears in both in its contemporaries and in subsequent generations of Russian writers, as if the text held a dangerous power that could harm those working on it. This fascinating publishing case study reveals the complicated cultural and political dynamics at work behind a seemingly simple translation from one language to another that still resonates in the contemporary moment.