Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.

Informationen zum Autor JONATHAN L. READY Bloomington, Indiana. Ready is an associate professor of classical studies at Indiana University. His books include The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia . CHRISTOS C. TSAGALIS Thessaloniki, Greece. Tsagalis is a professor of Greek at Aristotle University. His books include Early Greek Epic Fragments: Antiquarian and Genealogical Epic. Klappentext Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts - performing the poem and narrating and speaking in character within it - are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore. Zusammenfassung Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them. Inhaltsverzeichnis A Note on Iota Adscript and the Transliteration of Proper NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C. TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter 2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F. Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of TermsIndex of Passages...

Autorentext

JONATHAN L. READY Bloomington, Indiana. Ready is an associate professor of classical studies at Indiana University. His books include The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia. **CHRISTOS C. TSAGALIS **Thessaloniki, Greece. Tsagalis is a professor of Greek at Aristotle University. His books include Early Greek Epic Fragments: Antiquarian and Genealogical Epic.

Klappentext

Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts - performing the poem and narrating and speaking in character within it - are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore.

Inhalt

A Note on Iota Adscript and the Transliteration of Proper NounsAcknowledgmentsIntroduction Jonathan L. Ready and Christos C. TsagalisPart I. RhapsodesChapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods Christos C. TsagalisChapter 2. Reading Rhapsodes on Athenian Vases Sheramy D. BundrickChapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period Christos C. TsagalisChapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period Anne GangloffChapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process Mary R. BachvarovaChapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers Olga LevanioukPart II. Narrators and CharactersChapter 7. Odysseus Polyonymous Deborah BeckChapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending Anna BonifaziChapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi Joel P. ChristensenChapter 10. Diomedes as Audience and Speaker in the Iliad James O'MaleyChapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue Lorenzo F. Garcia Jr.Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic Jonathan L. ReadyChapter 13. Homer's Rivals? Internal Narrators in the Iliad Adrian Kelly Works CitedContributorsIndex of TermsIndex of Passages