This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama synonymous with Irish playwriting. Focusing on four marginalised playwrights after Yeats, it charts a tradition linking the experimentation of the early Irish theatre movement with the innovation of contemporary Irish and international drama.

"This is an important study of Irish theatre for its sophisticated dramaturgic analysis and for its demythologising of received views of Irish theatre. In this [Walsh] very much is true to the radical spirit of the playwrights he champions." - Anthony Roche, Irish Studies Review

Autorentext
IAN R. WALSH Graduate of University College Dublin, Ireland, where he completed his doctoral research and where he is now a Lecturer in the School of English, Drama and Film. He has also worked as a theatre reviewer and as a freelance director of Theatre and Opera.

Inhalt
Introduction Acknowledgements An Irish Theatre Laboratory: Experimental Contexts Experiments in Representation: Jack B. Yeats Experiments in Gender: Elizabeth Connor Experiments in Verse: Donagh MacDonagh Experiments in Theatre: Maurice Meldon Continuing Experimentation Notes Select Bibliography Index