A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805--where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers--all 8 million of them--don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal--and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children--they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, <Yesteryear< is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood....

Autorentext

Caro Claire Burke

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**#1 NEW YORK TIMES BESTSELLER • A GMA BOOK CLUB PICK • A NEW YORK TIMES BEST BOOK OF THE YEAR (SO FAR) • A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

"A bold and biting satire, Yesteryear…will have you cackling and gasping right to the final page."
—Nita Prose, #1 New York Times bestselling author of The Maid series

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Leseprobe
This is the last day of the life I imagined for myself.

I woke up two minutes before my alarm went off, like usual. Five fifty-­eight and bing: eyes wide open, ready to greet the day. I’ve never had a hard time waking up in the morning. Never used the snooze button, either, not once in my life. Sobriety helps. I don’t drink. Discipline helps, too. I was born with spades of discipline, I’m practically overflowing with it—­which is why, I think, I’ve never had that much trouble with anything in my life. Not motherhood, nor marriage, nor building a business, nor serving Him. All of it appeared to me as a series of tasks to be accomplished each day, at the right time, in the correct chronological order. I know it’s not that easy for other people, but it really is for me.

That’s why all those strangers liked me so much.

That, and the money. The money definitely helped too.

It was wintertime. January. A cold front had just blown through the pass. By my bedroom window, the radiator was puffing hot air. The sky outside was deep-­as-­death black, and would be for another few hours. Our farm was nestled in the rolling divots between two mountain ranges in Idaho, which meant we didn’t see the sun until nine or so in the winter months. We were located five miles down a long, winding gravel country road. Not even airplanes flew overhead.

In the darkness, I listened to the distant mooing of Sassafras, our beloved dairy cow. I could tell by the pitch and register of her moans that my husband, Caleb, was milking her. Right on time. The man was good.

My husband was not disciplined before he met me. He was the youngest of five boys, the runt of the litter in an American dynasty. His father was the latest senator in a long line of U.S. senators, currently barreling through a presidential bid (third time’s the charm!); his mother was a homemaker who had spent most of her life drowning in Chardonnay. Together, through a near-­fatal combination of paternal neglect and maternal sympathy, they had raised Caleb to be soft and spoiled and sweet. But the only thing more valuable than a person with God-­given traits is a person who’s willing to learn, and my husband, that man, had been willing to learn.

And who was I?

A flawless Christian woman. The manic pixie American dream girl of this nation’s deepest, darkest fantasies. The mother every woman wanted to be, and the wife every man wanted to come home to. Like a nun in a porno, it didn’t make sense, but also, by God: it worked.

My name is Natalie Heller Mills, and I was perfect at being alive.

In the silences between Sassafras’s near-­human groans of pleasure (sometimes I joked online that my husband had a bovine mistress, ha ha!), I could just hear the distant chicken coop chatter, that meditative bockbockbockbockbock that served as the white noise machine of our farm. I loved our chickens. They were as domesticated as dogs, as harmless as toddlers. Sometimes I went out to the coop just to sit with them. I liked to stroke their silky necks, let them peck softly at the feed in my cupped palms.

We’d be killing them soon. In the darkness, my mouth watered. I’d been yearning, lately, for fresh bone broth. Once you’ve made it from scratch, the store-­bought kind tastes rancid.

Through t…