Zusatztext beautifully illustrated with generous inclusions of film stillsa clearly written, practice-oriented, much needed text on production design for film. Informationen zum Autor Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Klappentext Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story.Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design.Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work. Vorwort Explores the creative process of designing for film and television - providing budding filmmakers with the skills and tools they need to produce compelling imagery on screen. Zusammenfassung Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story.Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design.Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work. Inhaltsverzeichnis 1. Practicalities: The Design Process The Art Department Breaking down the scriptDeveloping initial ideasSketch, draft, modelThe budgetStudio constructionLocationsSet Decorating and DressingSpotlight on Anna Pritchard 2. The Visual Concept CollaborationConcept, contrast and transformationDeveloping the visual conceptSpotlight on Stuart Craig 3. Space Real and imagined worldsSize and scaleGeography of SpaceVertical HierarchySpotlight on Alex McDowell 4. In and Out: Boundaries & Transitions In and OutDoorways and windowsMovement and TransitionInteriors and exteriorsSpotlight on - H...

Autorentext
Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate).

Klappentext

Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story. Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design. Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work.

Inhalt
1. Practicalities: The Design Process The Art Department Breaking down the script Developing initial ideas Sketch, draft, model The budget Studio construction Locations Set Decorating and Dressing Spotlight on Anna Pritchard 2. The Visual Concept Collaboration Concept, contrast and transformation Developing the visual concept Spotlight on Stuart Craig 3. Space Real and imagined worlds Size and scale Geography of Space Vertical Hierarchy Spotlight on Alex McDowell 4. In and Out: Boundaries & Transitions In and Out Doorways and windows Movement and Transition Interiors and exteriors Spotlight on - Hugo Wyhowski 5. Light Character and Story Sources Position Colour Painting Spotlight on Ronald Gow 6. Colour Colour & early cinema Painting & Perception Colour palette & psychology Character & Story The Colour Red Spotlight on Jim Bissell 7. Set Decoration The Set Decorator Reflecting Character Furniture & Dressing Period & Style Spotlight on Tatiana Macdonald