aus dem Klappentext: This volume contains the papers of an international conference on Neoclassicism in the various arts. Problems of aestheical Tical theory and music, literature, painting, architecture and dance are treated in papers by Christian Berger, Alessandro Bertinetto, Nicoletta Bruno, Paola Crespi, Riccardo Dottori, Claudia Gandini, Carlo Grante, Winfried Gruhn, Hans-Christian Günther, Thilo Hilpert, David Khunchukashvili, Gabriele Kiesewetter, Seung-Ho Kim, Rosa Marafioti, Dorothea Redepenning, Anton Reininger, Günter Schnitzler, Christopher Walton and Felix Wörner. Hans-Christian Günther is Professor of Classics at the University of Freiburg. He has published extensively on Augustan Poetry (i.a. Brill's Companion to Propertius and Brill's Companion to Horace), ancient and modern Greek poetry and philosophy. He is also the author of numerous verse translations from Latin, Italian, Modern Greek, Georgian, Japanese and Chinese.

Klappentext

aus dem Klappentext:

This volume contains the papers of an international conference on Neoclassicism in the various arts. Problems of aestheical Tical theory and music, literature, painting, architecture and dance are treated in papers by Christian Berger, Alessandro Bertinetto, Nicoletta Bruno, Paola Crespi, Riccardo Dottori, Claudia Gandini, Carlo Grante, Winfried Gruhn, Hans-Christian Günther, Thilo Hilpert, David Khunchukashvili, Gabriele Kiesewetter, Seung-Ho Kim, Rosa Marafioti, Dorothea Redepenning, Anton Reininger, Günter Schnitzler, Christopher Walton and Felix Wörner.

Hans-Christian Günther is Professor of Classics at the University of Freiburg. He has published extensively on Augustan Poetry (i.a. Brill's Companion to Propertius and Brill's Companion to Horace), ancient and modern Greek poetry and philosophy. He is also the author of numerous verse translations from Latin, Italian, Modern Greek, Georgian, Japanese and Chinese.

Inhalt
Table of Contents List of Contributors Preface of the Editor Rosa Maria Marafioti Den Klassizismus weiterdenken. Gadamer und die hermeneutische Reichweite des "Klassischen" Alessandro Bertinetto Re-signifying the Classics: Actualizing, Interpreting, Improvising Carlo Grante Classical vs. Classic: An Issue of Definition or Aesthetics? Dorothea Redepenning Felix Mendelssohns Schauspielmusiken und die Idee der Wiederbelebung der klassischen Antike Günter Schnitzler Die Unzuverlässigkeit des Normativen Neoklassizismus bei Hofmannsthal und Strauss im "Ariadne"-Konvolut? Hans-Christian Günther Was bedeuten absolute Musik und Bearbeitung in der Ästhetik Ferruccio Busonis? David Khunchukashvili Ferruccio Busoni. Junge Klassizität und die Sonatinen: Theorie und Praxis Christopher Walton (K)ein Schauspiel für Götter. Busoni's Impact on Swiss Music from 1915 to 1920 Winfried Gruhn "... der kleine Modernsky" - Anmerkungen zu Igor Stravinskys "Neoklassizismus" Felix Wörner Hindemiths Klassizismus. Ein künstlerisches Bekenntnis im Kontext der 1920er Jahre Christian Berger Wahnsinn des Krieges im Banne der Quinten Hindemiths "Trompeten" op. 18,8 Claudia Gandini Il Foscolo inglese e l'Omero di F.A. Wolf Anton Reininger Gottfried Benns Lyrik zwischen ideologischer Auf- und Abrüstung Nicoletta Bruno L'inverno, l'esilio, il mito: Ovidio nella poesia di Mandel'tam, Tarkovskij e Brodskij Riccardo Dottori Giorgio de Chirico: Classico, Neoclassico o Postmoderno? Gabriele Kiesewetter Notizen zur neoklassizistischen Malerei der Weimarer Zeit in Deutschland Seung-Ho Kim Anselm Kiefers Margarethe- und Sulamith-Landschaftsbilder als Darstellungtypus nach Auschwitz im Dialog mit Paul Celans Gedicht ,Todefuge' Thilo Hilpert Neoklassizismus gegen Bauhaus-Moderne - Die Leipziger Oper (1950-1960) und die Anfänge des Bauens im Osten Paola Crespi Body Topologies: Process and Form in Rudolf Laban's hand-drawings