

Beschreibung
All but the last of Bach's sonatas for violin and harpsichord commence with slow movements of intense feeling. This is music of implication and inference, the emotions no less real for their apparent lack of specificity. There is pleasure in the paradox: even ...| 1 | Sonate für Violine und Cembalo h-moll BWV 1014 | ||
| 1 | 1. Adagio | 03:31 | |
| 2 | 2. Allegro | 03:12 | |
| 3 | 3. Andante | 03:03 | |
| 4 | 4. Allegro | 03:45 | |
| 5 | Sonate für Violine und Cembalo A-Dur BWV 1015 | 03:45 | |
| 5 | 1. Andante | 02:51 | |
| 6 | 2. Allegro | 03:28 | |
| 7 | 3. Andante un poco | 02:49 | |
| 8 | 4. Presto | 05:01 | |
| 9 | Sonate für Violine und Cembalo E-Dur BWV 1016 | 05:01 | |
| 9 | 1. Adagio | 03:42 | |
| 10 | 2. Allegro | 03:12 | |
| 11 | 3. Adagio ma non tanto | 04:10 | |
| 12 | 4. Allegro | 04:02 |
| 1 | Sonate für Violine und Cembalo c-moll BWV 1017 | 04:02 | |
| 1 | 1. Largo | 03:54 | |
| 2 | 2. Allegro | 04:55 | |
| 3 | 3. Adagio | 03:28 | |
| 4 | 4. Allegro | 05:14 | |
| 5 | Sonate für Violine und Cembalo f-moll BWV 1018 | 05:14 | |
| 5 | 1. Largo | 06:10 | |
| 6 | 2. Allegro | 05:23 | |
| 7 | 3. Adagio | 03:32 | |
| 8 | 4. Vivace | 02:56 | |
| 9 | Sonate für Violine und Cembalo G-Dur BWV 1019 | 02:56 | |
| 9 | 1. Allegro | 03:42 | |
| 10 | 2. Largo | 01:48 | |
| 11 | 3. Allegro | 04:49 | |
| 12 | 4. Adagio | 02:33 | |
| 13 | 5. Allegro | 03:37 |