

Beschreibung
Metal Music Manual addresses concepts and production techniques specific to metal music. By first establishing "heaviness," and defining qualities that enable a high standard of production, the book focuses on sonic weight, intelligibility, and perf...Metal Music Manual addresses concepts and production techniques specific to metal music. By first establishing "heaviness," and defining qualities that enable a high standard of production, the book focuses on sonic weight, intelligibility, and performance precision. Methodologies are directly informed by the music's performance characteristics, sound and timbral attributes, and predominant musical practices. Author Mark Mynett presents these processes and approaches within the stages of pre-production, recording, mixing, and mastering. An extensive companion website features multi-track metal recordings, audio stems, final mixes, and interviews with metal producers and musicians.
Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards.
The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved:
Nick Raskulinecz (Mastodon, Death Angel, Trivium)
Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from:
Ross "Drum Doctor" Garfield (one of the world's top drum sound specialists, with Metallica and Slipknot amongst his credits)
Andrew Scheps (Black Sabbath, Linkin Park, Metallica)
Maor Appelbaum (Sepultura, Faith No More, Halford)
Autorentext
Mark Mynett is a record producer, recording-mixing-mastering engineer, author, and Senior Lecturer in Music Technology and Production at the University of Huddersfield, England. As both musician and producer, he has over 20 years' experience in the metal genre; has written numerous heavy-music production articles for leading magazines, including Sound on Sound and Guitar World; and in 2013 gained the world's first PhD in Contemporary Metal Music Production. He owns his own studio, Mynetaur Productions (www.mynetaur.com), where he provides engineering, mixing and mastering services for clients from all over the world.
Zusammenfassung
Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards.
The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved:
Fredrik Nordström (Dimmu Borgir, At The Gates, In Flames)
Ross Robinson (Slipknot, Sepultura, Machine Head)
Logan Mader (Gojira, DevilDriver, Fear Factory)
Andy Sneap (Megadeth, Killswitch Engage, Testament)
Jens Bogren (Opeth, Kreator, Arch Enemy)
Daniel Bergstrand (Meshuggah, Soilwork, Behemoth)
Nick Raskulinecz (Mastodon, Death Angel, Trivium) Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from:
Ross "Drum Doctor" Garfield (one of the world's top drum sound specialists, with Metallica and Slipknot amongst his credits)
Andrew Scheps (Black Sabbath, Linkin Park, Metallica)
Maor Appelbaum (Sepultura, Faith No More, Halford)
Inhalt
Acknowledgments
Foreword
Chapter 1: Introduction
Audio
Video Interviews
Forum Chapter 2: Contemporary Metal Music
Chapter 3: The Parameters of Heaviness
Distortion
Proximity
Perceived Loudness
The Distortion Paradox
Sonic Weight
Transients
Spectral Dynamics and Transient Brightness
Clarity
Definition
Intelligibility
Performance Precision Pre-Production
Chapter 4: Pre-Production
Vision and Leadership
Rehearsals
The Budget
Click Tracks
In Practice
Tempo Mapping
Click Tones
Guide Tracks
Click-Free Tracking
Live Guide Tracks without a Click
Overdubs without a Click
The Click Track Acid Test Chapter 5: Sound at Source
Drums
Drum Shells
Shell Thickness, Diameter, Depth and Hardware
Symmetry and Flatness
Drumheads and Re-Heading
Batter Heads
Resonant Heads
Re-Heading/Bedding-In
Drum Tuning
Kick Tuning
Snare Tuning
Toms Tuning
Dampening
Kick Dampening
Snare and Toms Dampening
Hats, Ride and Cymbals
Bass and Guitar
Down-Tuning
Baritones/Longer Scale Lengths
Guitar Overdrive Pedals
Amp/Cab/Mic Simulation and Modelling
Amplifiers
Bass Amps
Guitar Amps
Loudspeakers and Loudspeaker Cabinets Engineering
Chapter 6: Engineering Overview
Isolation=Separation=Control
Headroom
Printed Compression
Printed EQ Chapter 7: Drums
Set Up
Kick Drums
Attack Mic
Porthole Placement
Low Frequency Capture
Isolation Tunnels
Double Kick Performance Solutions
Kick Building
Snare Top
Snare Bottom
Toms
Batter Mic
Double Miked Toms
Concert Toms
Metalwork
Hats
Ride
Cymbals
Spaced Pair
Close Miked Cymbals
Paired Cymbal Miking
Room Mics and Controlled Cohesion
Triggers
Recording Drum Hits from the Kit used for Tracking
Sample Creation
Drum Edits and Quantization
Gridding
Phase
Retention of Human Feel
Micro-Editing
Quantization-Based Tools
Chapter 8: Guitars
D.I.'s and Re-amping
Speaker Selection
Isolation Tactics
Amp Volume
Mic Selection
Loudspeaker Frequency Radiation
Mic Placement
Proximity Effect
Off-Axis Placement
Double Miking
Double Tracking (vs. Quad Tracking)
Quad Tracking
Tonal Variation
Multi Amp/Cab Recording for Double-Tracked Guitars
Mix Center Rhythm Thickener Chapter 9: Bass
D.I.
Dirty D.I.
(Series) Amp/Cab Distortion
Amp/Cab/Mic
Isolation, Speaker Selection & Master Volume
Mic Se…
