Zusatztext An artistic achievement. The Washington Post One of the best novels of its kind. . . . It isn't sentimental, and it is frank without trying to be sensational and shocking. Christopher Isherwood A brilliant exposé of subterranean life. The Atlantic Monthly Frank, shocking . . . extremely sympathetic, penetrating and exhortive. New York Herald Tribune Informationen zum Autor Gore Vidal was born in 1925 at the United States Military Academy at West Point. His first novel, Williwaw , written when he was nineteen years old and serving in the Army, appeared in the spring of 1946. Since then he has written twenty-three novels, five plays, many screenplays, short stories, well over two hundred essays, and a memoir. Klappentext A literary cause célèbre when first published more than fifty years ago, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experience. Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in "awful kid stuff, the experience forms Jim's ideal of spiritual completion. Defying his parents' expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men. Leseprobe Chapter 1 THE MOMENT WAS STRANGE. There was no reality in the bar; there was no longer solidity; all things merged, one into the other. Time had stopped. He sat alone in a booth, listening to the music which came out of a red plastic box, lighted within. Some of the music he remembered from having heard it in other places. But the words he could no longer understand. He could recall only vague associations as he got drunk, listening to music. His glass of whiskey and water and ice had slopped over and the top of the table was interesting now: islands and rivers and occasional lakes made the top of the table a continent. With one finger he traced designs on the wooden table. He made a circle out of a lake; he formed two rivers from the circle; he flooded and destroyed an island, creating a sea. There were so many things that could be done with whiskey and water on a table. The jukebox stopped playing. He waited a long time for it to start again. He took a swallow of the whiskey to help him wait. Then after a long time, in which he tried not to think, the music started. A record of a song he remembered was playing and he allowed himself to be taken back to that emotional moment in time when . . . when? He tried hard to remember the place and the time, but it was too late. Only a pleasant emotion could be recalled. He was drunk. Time collapsed. Years passed before he could bring the drink to his mouth. Legs numb, elbows detached, he seemed to be supported by air, and by the music from the jukebox. He wondered for a moment where he was. He looked about him but there were no clues, only a bar in a city. What city? He made a new island on the tabletop. The table was his home and he felt a strong affection for the brown scarred wood, for the dark protectiveness of the booth, for the lamp which did not work because there was no bulb in the socket. He wanted never to leave. This was home. But then he finished his drink, and was lost. He would have to get another one. How? He frowned and thought. A long time went by and he did not move, the empty glass in front of him. At last he came to a decision. He would leave ...

“An artistic achievement.” —*The Washington Post

*“One of the best novels of its kind. . . . It isn’t sentimental, and it is frank without trying to be sensational and shocking.” —Christopher Isherwood

“A brilliant exposé of subterranean life.” —*The Atlantic Monthly

“Frank, shocking . . . extremely sympathetic, penetrating and exhortive.” —New York Herald Tribune

• Autorentext

  Gore Vidal was born in 1925 at the United States Military Academy at West Point. His first novel, Williwaw*,* written when he was nineteen years old and serving in the Army, appeared in the spring of 1946. Since then he has written twenty-three novels, five plays, many screenplays, short stories, well over two hundred essays, and a memoir.

  Klappentext

  A literary cause célèbre when first published more than fifty years ago, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experience.

  Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in "awful kid stuff,” the experience forms Jim's ideal of spiritual completion. Defying his parents' expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

  Zusammenfassung
  A literary cause célèbre when first published in 1948, Gore Vidal’s now-classic The City and the Pillar stands as a landmark novel of the gay experience.

  Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship.

  Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

  Leseprobe
  Chapter 1

  THE MOMENT WAS STRANGE. There was no reality in the bar; there was no longer solidity; all things merged, one into the other. Time had stopped.

  He sat alone in a booth, listening to the music which came out of a red plastic box, lighted within. Some of the music he remembered from having heard it in other places. But the words he could no longer understand. He could recall only vague associations as he got drunk, listening to music.

  His glass of whiskey and water and ice had slopped over and the top of the table was interesting now: islands and rivers and occasional lakes made the top of the table a continent. With one finger he traced designs on the wooden table. He made a circle out of a lake; he formed two rivers from the circle; he flooded and destroyed an island, creating a sea. There were so many things that could be done with whiskey and water on a table.

  The jukebox stopped playing.

  He waited a long time for it to start again. He took a swallow of the whiskey to help him wait. Then after a long time, in which he tried not to think, the music started. A record of a song he remembered was playing and he allowed himself to be taken back to that emotional moment in time when . . . when? He tried hard to remember the place and the time, but it was too late. Only a pleasant emotion could be recalled.

  He was d…