

Beschreibung
Zusatztext The English Dante of choice. Hugh Kenner Exactly what we have waited for these years! a Dante with clarity! eloquence! terror! and profoundly moving depths. Robert Fagles! Princeton University A marvel of fidelity to the original! of sobriety! and t...Zusatztext The English Dante of choice. Hugh Kenner Exactly what we have waited for these years! a Dante with clarity! eloquence! terror! and profoundly moving depths. Robert Fagles! Princeton University A marvel of fidelity to the original! of sobriety! and truly! of inspired poetry. Henri Peyre! Yale University Informationen zum Autor Dante Alighieri; Translated by Allen Mandelbaum; Introduction by Eugenio Montale; Annotations by Peter Armour Klappentext This Everyman's Library edition-containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso-includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.Translated in this edition by Allen Mandelbaum, The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Mandelbaum's astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Zusammenfassung This beautiful hardcover editioncontaining all three cantos, Inferno, Purgatorio , and Paradiso includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum's astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman's Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times....
“Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University
“A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University
Autorentext
Dante Alighieri; Translated by Allen Mandelbaum; Introduction by Eugenio Montale; Annotations by Peter Armour
Klappentext
This Everyman's Library edition-containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso-includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. Translated in this edition by Allen Mandelbaum, The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Mandelbaum's astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
Zusammenfassung
This beautiful hardcover edition—containing all three cantos, Inferno, Purgatorio, and Paradiso—includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.
The Divine Comedy* begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
Leseprobe
CANTO I
 
Dante finds himself astray in a dark Wood, where he spends a night of great misery. He says that death is hardly more bitter, than it is to recall what he suffered there; but that be will tell the fearful things be saw, in order that be may also tell bow be found guidance, and first began to discern the real causes of all misery. He comes to a Hill; and seeing its summit already bright with the rays of the Sun, be begins to ascend it. The way to it looks quite deserted. He is met by a beautiful Leopard, which keeps distracting his attention from the Hill, and makes him turn back several times. The hour of the morning, the season, and the gay outward aspect of that animal, give him good hopes at first; but he is driven down and terrified by a Lion and a She-wolf. Virgilcomes to his aid, and tells him that the Wolf lets none pass her way, but entangles and slays everyone that tries to get up the mountain by the road on which she stands. He says a time will come when a swift and strong Greyhound shall clear the earth of her, and chase her into Hell. And he offers to conduct Dante by another road; to show him the eternal roots of misery and of joy, and leave him with a higher guide that will lead him up to Heaven.
 
IN THE middle of the journey of our life1 I came to myself in a dark wood2 where the straight way was lost.
 
Ah! how hard a think it is to tell what a wild, and rough, and stubborn wood this was, which in my thought renews the fear!
 
So bitter is it, that scarcely more is death: but to treat of the good that I there found, I will relate the other things that I discerned.
 
I cannot rightly tell how I entered it, so full of sleep was I about the moment that I left the true way.
 
But after I had reached the foot of a Hill3 there, where that valley ended, which had pierced my heart with fear, I looked up and saw its shoulders already clothed with the rays of the Planet4 that leads men straight on every road.
 
Then the fear was somewhat calmed, which had continued in the lake of my heart the night that I passed so piteously.
 
And as he, who with panting breath has escaped from the deep sea to the shore, turns to the dangerous water and gazes: so my mind, which still was fleeing, turned back to see the pass that no one ever left alive.
 
*After I had rested my wearied body a short while, I took the way again along the desert strand, so that the right foot …
