

Beschreibung
Autorentext Jonathan Kellerman has lived in two worlds: clinical psychologist and #1 New York Times bestselling author of more than fifty crime novels. His unique perspective on human behavior has led to the creation of the Alex Delaware series, The Butcher&rs...Autorentext
Jonathan Kellerman has lived in two worlds: clinical psychologist and #1 New York Times bestselling author of more than fifty crime novels. His unique perspective on human behavior has led to the creation of the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, True Detectives, and The Murderer’s Daughter. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored The Burning, Half Moon Bay, A Measure of Darkness, Crime Scene, The Golem of Hollywood, and The Golem of Paris. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and the Lifetime Achievement Award from the American Psychological Association, and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California.
Klappentext
NEW YORK TIMES BESTSELLER • Psychologist Alex Delaware and Detective Milo Sturgis confront a baffling, vicious double homicide that leads them to long-buried secrets worth killing for in the riveting thriller from the #1 New York Times bestselling “master of suspense” (Los Angeles Times).
LAPD homicide lieutenant Milo Sturgis sees it all the time: Reinvention’s a way of life in a city fueled by fantasy. But try as you might to erase the person you once were, there are those who will never forget the past . . . and who can still find you.
A pool boy enters a secluded Bel Air property and discovers two bodies floating in the bright blue water: Gio Aggiunta, the playboy heir to an Italian shoe empire, and a gorgeous, even wealthier neighbor named Meagin March. A married neighbor.
An illicit affair stoking rage is a perfect motive. But a “double” in this neighborhood of gated estates isn’t something you see every day. The house is untouched. No forced entry, no forensic evidence. The case has “that feeling,” and when that happens, Milo turns to his friend, the brilliant psychologist Alex Delaware.
As Milo and Alex investigate both victims, they discover two troubled pasts. And as they dig deeper, Meagin March’s very identity begins to blur. Who was this glamorous but conflicted woman? Did her past catch up to her? Or did Gio’s family connections create a threat spanning two continents?
Chasing down the answers leads Alex and Milo on an exploration of L.A.’s darkest side as they contend with one of the most shocking cases of their careers and learn that that some secrets are best left buried in the past.
Zusammenfassung
NEW YORK TIMES BESTSELLER • The iconic thriller series that inspired the upcoming streaming show on Prime Video, in development now!
Psychologist Alex Delaware and Detective Milo Sturgis confront a baffling, vicious double homicide that leads them to long-buried secrets worth killing for in this riveting novel from the #1 New York Times bestselling “master of suspense” (Los Angeles Times).**
LAPD homicide lieutenant Milo Sturgis sees it all the time: Reinvention’s a way of life in a city fueled by fantasy. But try as you might to erase the person you once were, there are those who will never forget the past . . . and who can still find you.
A pool boy enters a secluded Bel Air property and discovers two bodies floating in the bright blue water: Gio Aggiunta, the playboy heir to an Italian shoe empire, and a gorgeous, even wealthier neighbor named Meagin March. A married neighbor.
An illicit affair stoking rage is a perfect motive. But a “double” in this neighborhood of gated estates isn’t something you see every day. The house is untouched. No forced entry, no forensic evidence. The case has “that feeling,” and when that happens, Milo turns to his friend, the brilliant psychologist Alex Delaware.
As Milo and Alex investigate both victims, they discover two troubled pasts. And as they dig deeper, Meagin March’s very identity begins to blur. Who was this glamorous but conflicted woman? Did her past catch up to her? Or did Gio’s family connections create a threat spanning two continents?
Chasing down the answers leads Alex and Milo on an exploration of L.A.’s darkest side as they contend with one of the most shocking cases of their careers and learn that that some secrets are best left buried in the past.
Leseprobe
Chapter 1
Nearly getting killed can change your life in interesting ways.
There’s the physical healing, but that’s tedious to think about. What fascinates me is how people behave when they know you’ve come close to death.
Some you haven’t heard from in a while get in touch out of obligation. Most of the time they have no idea what to say or do and you end up assuring them you’re fine and trying to make them feel better. Or maybe that was just me, reverting to the psychologist’s role.
I’m close to only two people on the planet.
The woman I live with handled the whole thing beautifully, pulling off the perfect balance of caring for me and allowing me space when I needed it. Even more impressively, when Robin allowed herself to get angry at me for being in danger in the first place, she was able to talk about it reasonably.
My best friend, a homicide detective, was overcome with guilt. I’d been working with Milo when a lunatic nearly crushed me to death. No one’s fault, reasonable precautions had been taken. Just one of those things that happen. But, still.
He’d worked hard at keeping the guilt in check but I could tell. Our conversations began ebbing into long silences, terminating when he told me I needed to rest.
Eventually, his visits tapered off, though he tried to keep up with regular phone calls. But he avoided talking about work, which peppered the calls with awkward silences.
Worst of all, he stopped calling me in on cases. The “different ones” where he tends to overestimate my talent. When I brought up the subject, he claimed the two new murders he’d taken on were open and shut.
Four months after being injured I sat with Robin on the second-story terrace that fronts our house, eating and drinking and enjoying the weather that keeps people in L.A., and said, “Still nothing from Big Guy.”
She said, “Can you blame him?”
“I think he’s overdoing it. Objectively, he did nothing wrong.”
“Who’s ever objective, Alex?”
I poured myself another finger of Chivas—the pricey gold stuff I’d never buy for myself. A guilt offering from Milo.
Neither of us talked for a while and I resumed rubbing the big, knobby head of our little blond French bulldog, Blanche. She’s also been perfect. Sitting next to me as I knitted, silent and patient, careful not to touch the torn muscles in my chest. She’s always been a wonderful companion, intuitive, perceptive, more keyed in to nonverbal cues than any human could hope to be. But this was more. She knew something was different and she cared.
Robin said, “All those custody cases came in but you’re still bored.”
“I could use some variety.”
“Know what you mean.”
That surprised me.
She said, “Why do you think I do what I do, baby? Every instrument’s different, it’s not like I’m making the same armchair over and over.”
I said, “So you wouldn’t mind if I diversified. Maybe got into macramé…
