Zusatztext 40750658 Informationen zum Autor DAVID LAGERCRANTZ is an acclaimed Swedish journalist and author. He has worked as a crime reporter for Expressen! and has written several novels! including the forthcoming Fall of Man in Wilmslow . He worked with international soccer star Zlatan Ibrahimovic on his memoir! I Am Zlatan Ibrahimovic! which was short-listed for the William Hill Sports Book of the Year award and was nominated for the August Prize in Sweden. www.stieglarsson.net Wrange tried to concentrate on the game, but he was not managing too well. Fortunately this punk girl was going to be easy pickings. She wasn't bad, as it turned outshe probably spent a lot of time playingbut what good was that? He toyed with her a little, and she was bound to be impressed. Who knows, maybe he could even get her to come home with him after- wards. True, she looked stroppy, and Wrange did not go in for stroppy girls, but she had nice tits and he might be able to take out his frustrations on her. It had been a disaster of a morning. It wasn't grief that he felt: it was fear. Wrange really did try hard to convince himself that he had done the right thing. What did the goddamn professor expect when he treated him as if he didn't exist? But of course it wouldn't look good that Wrange had sold him down the river. He consoled himself with the thought that an idiot like Balder must have made thou- sands of enemies, but deep down he knew: the one event was linked to the other, and that scared him to death. Ever since Balder had started working at Solifon, Wrange had been afraid that the drama would take a frightening new turn, and here he was now, wishing that it would all go away. That must have been why he went into town this morning on a compulsive spree to buy a load of designer clothes, and had ended up here at the chess club. Chess still managed to distract him, and the fact was that he was feeling better already. He felt like he was in control and smart enough to keep on fooling them all. Look at how he was playing. This girl was not half bad. In fact there was something unorthodox and creative in her play, and she would probably be able to teach most people in here a thing or two. It was just that he, Arvid Wrange, was crushing her. His play was so brilliant and sophisticated that she had not even noticed he was on the brink of trapping her queen. Stealthily he moved his positions forward and snapped it up without sacrificing more than a knight. In a flirty, casual tone bound to impress her he said, Sorry, baby. Your queen is down. But he got nothing in return, no smile, not a word, nothing. The girl upped the tempo, as if she wanted to put a quick end to her humiliation, and why not? He'd be happy to keep the process short and take her out for two or three drinks before he pulled her. Maybe he would not be very nice to her in bed. The chances were that she would still thank him afterwards. A miserable cunt like her would be unlikely to have had a fuck for a long time and would be totally unused to guys like him, cool guys who played at this level. He decided to show off a bit and explain some higher chess theory. But he never got the chance. Something on the board did not feel quite right. His game began to run into some sort of resistance he could not understand. For a while he persuaded himself that it was only his imagination, perhaps the result of a few careless moves. If only he concentrated he would be able to put things right, and so he mobilized his killer instinct. But the situation just got worse. He felt trappedhowever hard he tried to regain the initiative she hit backand in the end he had no choice but to acknowledge that the balance of power had shifted, and shifted irreversibly. How crazy was that? He had taken her queen, but instead of building on that advantage he had landed in ...

ldquo;Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever . . . Fans of Stieg Larsson’s captivating odd couple of modern detective fiction will not be disappointed.” —Michiko Kakutani, New York Times
 
“Rest easy, Lisbeth Salander fans—our punk hacker heroine is in good hands . . . A twisty, bloody thrill ride . . . seamlessly woven together by Lagercrantz—in fact, if you hadn’t seen his name on the book jacket, you’d likely assume it was Larsson’s own handiwork . . . An instant page-turner.” —USA Today (4 out of 4 stars)
 
“Without ever becoming pastiche, the book is a respectful and affectionate homage to the originals . . . Lagercrantz’s continuation, while never formulaic, is a cleaner and tighter read than the originals.” **—*Guardian

“Lagercrantz has more than met the challenge. Larsson’s brainchildren are in good hands and may have even come up a bit in the world.” —Wall Street Journal*
 
“What of Lisbeth Salander? Given that Lagercrantz knows she’s what readers want, her long and suspenseful introduction is masterful.” —Lee Child, New York Times Book Review (cover)

“A worthy, crowd-pleasing fourth installment . . . Lagercrantz, his prose more assured than Larsson’s, keeps Salander’s fiery rage at the white-hot level her fans will want.” **—Publishers Weekly (starred)

**“Lagercrantz does an excellent job . . . Anyone craving more Salander bad-assery should get their hands on a copy of Spider’s Web faster than Lisbeth can hack into the NSA.” **—*People

*“Lagercrantz’s real achievement here is the subtle development of Lisbeth’s character; he allows us access to her complex, alienated world but is careful not to remove her mystery and unknowability. Lisbeth Salander remains, in Lagercrantz’s hands, the most enigmatic and fascinating anti-heroine in fiction.” —*Financial Times

“Lagercrantz deftly blends the spirit of Larsson’s work and characters with his own literary skills and bright imagination. Spider’s Web is an intelligent novel that has Salander entangled in one of the most contentious issues of our times . . . Riveting . . . Pyrotechnic.” —Chicago Tribune*
 
“A thrilling next installment . . . In spinning a complex and intriguing new chapter in the adventures of Blomkvist and Salander, Lagercrantz has written a worthy successor to one of the more uniquely compelling thriller sagas of his generation . . . An engrossing novel.” —Paste
 
“Action-packed and thoroughly enjoyable . . . [A] finely-wrought thriller . . . I will eagerly devour the next adventure for Salander and Blomkvist, especially now that we know their fate lies in the hands of a writer worthy of their story.” —The Daily Beast**

“Lagercrantz stays true to Larsson’s vision . . . No doubt about it, Lagercrantz has done a skillful job.” ****—Sydney Morning Herald
 
“[A] smart, action-packed thriller that is true to the spirit of the characters Larsson created while adding interesting new ones and updating the political backdrop that made the Millennium series so compelling.” ****—Buffalo News
 
“Fans of the original trilogy will be pleased with Lagercrantz’s new installment. The novel is a smart, propulsive thriller and espionage tale with a timely digital age plot (think Snowden and Wikileaks).” ****—Hollywood Reporter
 
“Passion and fire, check: there are plenty of both here . . . Fast-moving, credible, and intelligently told. Larsson fans won’t be disappointed.” ****—Kirkus Reviews

**“Lagercrantz …