Informationen zum Autor Lidia Yuknavitch Klappentext INSTANT NATIONAL BESTSELLER THRUST IS: Epic. The New York Times A triumph. Elle Stunningly beautiful. The Daily Beast Both of the moment and utterly timeless. Chicago Review of Books A book to take in wide-eyed. Rebecca Makkai NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST As rising watersand an encroaching police stateendanger her life and family, a girl with the gifts of a "carrier" travels through water and time to rescue vulnerable figures from the margins of history Lidia Yuknavitch has an unmatched gift for capturing stories of people on the marginsvulnerable humans leading lives of challenge and transcendence. Now, Yuknavitch offers an imaginative masterpiece: the story of Laisve, a motherless girl from the late 21st century who is learning her power as a carrier , a person who can harness the power of meaningful objects to carry her through time. Sifting through the detritus of a fallen city known as the Brook, she discovers a talisman that will mysteriously connect her with a series of characters from the past two centuries: a French sculptor; a woman of the American underworld; a dictator's daughter; an accused murderer; and a squad of laborers at work on a national monument. Through intricately braided storylines, Laisve must dodge enforcement raids and find her way to the present day, and then, finally, to the early days of her imperfect country, to forge a connection that might save their livesand their shared dream of freedom. A dazzling novel of body, spirit, and survival, Thrust will leave no reader unchanged. Leseprobe Cruces 1 We dreamed we were hers. The body of us thought that, because we built her, we belonged to her. We built her in pieces from our bodies, from the stories we held and the stories before that and the stories that might come. She arrived by boat in pieces. When the ship Isre finally reached port, we wept. The sailors too. They had been convinced that the tempests they'd endured on board would drown them in the ocean, and the cargo with them. The deck of the ship was nearly a farmer's field in size. The hold had been covered with huge black tarps for the journey. When the sailors pulled the tarps back, the hold looked dark and foreboding. I was asked to jump into that dark. Like plunging into the ocean's deep. Down in the hold, my eyes began to adjust. Gigantic crates the size of houses filled with pieces of the colossus: a woman in slices, crated and shipped. One by one, we found her body parts. Hair. Nose. Crown. Eyes. Mouth. Fingers, hand. Foot. Torch. She had arrived, in pieces of herself. Later, while discussing her reassemblage, an engineer remarked that the "embryo lighthouse," as they called the interior skeleton of the statue, held clues to reconstructing her form. Yet many elements of her construction went unexplained, left us puzzled. We were left with our imaginations to create adaptations. During those months, we lived in the city and we labored on the island. We were woodworkers, ironworkers, roofers and plasterers and brick masons. We were pipe fitters and welders and carpenters. We mixed concrete, we pounded earth, we armed the saws and drills. We were sheet metal and copper specialists. She arrived in our hands as thirty-one tons of copper and one hundred and twenty-five tons of steel. Three hundred copper sheets had been pressed to create the outer skin of her. We were cooks and cleaners and nuns and night watchpeople. We were nurses and artists and janitors, runners and messengers and thieves. Mothers and fathers and grandparents, sisters and brothers and children. During the day you could always hear the insistent ...

Autorentext

Lidia Yuknavitch

Zusammenfassung
Praise for Thrust:

[The] most mind-blowing book about America I ve ever inhaled. . . . I read Thrust in a state of flustered fascination and finished longing to dream it again. Ron Charles, Washington Post

There s so much that feels deeply present about Yuknavitch s latest novel: the ever-expanding police state, lower Manhattan under water, and a woman on a mission to rescue other vulnerable women. Yuknavitch s words are incantations, and Thrust is a triumph. Elle

An indignant and impressive novel. Alexandra Jacobs, The New York Times

Yuknavitch breaks down barriers of time and space, of history and language, in a visceral critique of America s founding ideals and its present failures. The New Yorker

Thrust is the culmination of everything she has been writing toward, a blistering excoriation of power structures that also honors the resilience of those who fight back. . . . It s a book that uses history and America as a jumping-off point to dissolve borders and boundaries. Michele Filgate, Los Angeles Times

Moving and incisive. Time

A fascinating, unsettling ride. The Guardian

[This] powerful, braided fable unites workers of the world across time and space and class to start conceiving of a better world. . . . Yuknavitch is firmly in control. Los Angeles Times

The utterly gripping story of a drowned world . . . I read with wonder, sometimes also with tears, and always with hope for our own hurting world. I feel fierce admiration for what Yuknavitch has achieved in this amazing book. Barbara J. King, author of How Animals Grieve

Complex, enthralling . . . page-turning . . An epic story of dystopia and hope, and ultimately about the power of storytelling. Sarah Neilson, Shondaland

An epic fable [that] operates more like a poem. Kate Dwyer, The New York Times

Cinematic and inviting . . . it could be the best thing you read this year. Philadelphia Inquirer

A dizzily interlacing view of American history. New York

[A] forceful, fluid, erotic new novel. Boston Globe

A dazzling new novel that marks another imaginative feat in a career with no shortage of them. A lyrical and dexterous critique of a future America ravaged by climate change and surveillance, Thrust is both of the moment and utterly timeless. Chicago Review of Books

Prescient, elegiac, and epic. . . . This book is a mighty lament for what we are losing; it s also a proposition about what we might become, how we might learn to listen differently, and how water rearranges things, including history. The Irish Times

This weirdly wonderful [novel] on the surveillance state, climate change, and what it means to have agency as a woman in the world will throw your mind for a loop in the best way. Good Housekeeping

A stunningly beautiful novel about the power of storytelling to make sense of the world we are living in and the one we might just be barreling toward. The Daily Beast

An intelligently affecting story that successfully walks the fine line between topical issues, history and science fiction. Buzz

A book that explores the big, serious issues of exploitation, climate change, and freedom through a rich web of kink, humor, and nature. There s so much going on in this novel, and it all comes together in such magnificent, incredible ways. BookRiot

Chronicles violences big and small that have shaped the course of humanity [and] offers hope in the idea that stories, ever-changing, have the power to carry Laisv and others somewhere new. Electric Literature

[Yuknavitch] s world-building powers are in full force. LitHub

A complex novel of great imagination. . . profound, thought-provoking, and deeply beautiful. Shelf Awareness

Blistering and visionary . . . This is the author s best yet. Publishers Weekly (starred review)

Thrust is kinky, queer, and razor sharp . . . a stunning novel about the future we might be able to create if we listen to voices we ve previously ignored . . . and about being willing t…