The Melancholy of Kinship in Post-reform China and Postcolonial Literature , brings post-reform Chinese cultural texts into conversation with postcolonial novels from Africa and Asia to examine the shared experiences of kinship loss as a response to historical trauma, state violence, and socioeconomic dispossession. Looking beyond Eurocentric paradigms of kinship shaped by Western liberalism, structural anthropology, and Freudian-informed psychoanalysis, this book argues that literary and cultural spheres of the Global South are reclaiming kinship as a form of political sociality rooted in decolonial traditions, precisely through mourning its loss. Ultimately, it draws attention to the ways that narratives from the Global South open up new possibilities for emancipation in a postsocialist and postcolonial world marked by enduring and emerging forms of unfreedom.

Takes a comparative approach to literary and cultural studies of kinship Brings attention to horizontal kinship as a mode of political sociality rooted in Third World decolonial traditions Explores the potential for reimagining and practicing kinship within literary and cultural projects in the Global South

Autorentext

Yawen Li is a postdoctoral fellow at the Institute of Advanced Studies in the Humanities, University of Edinburgh. She received her PhD in English and Comparative Literature from the National University of Singapore and King's College London. Yawen's scholarly work has appeared in The Palgrave Handbook of Literary Memory Studies , Chinese Literature and Thought Today , Made in China Journal , COVID-19 in International Media , and Crossroads . She also writes for Sinophone platforms such as Initium Media , The Paper , and Jiemian News on postcolonial literary criticism, racial politics, labour culture, feminist imaginaries, and transnational activism.

Inhalt

1. Introduction.- 2. Work on and of Mourning: Spectral Connections and Futures Pasts in Sweet and Sour Milk and Brothers.- 3. Minor Transnationalism and its Reverse: Reterritorialising Collective Memory, Identity, and Belonging in Homegoing and Found.- 4. Autoethnographic Approaches and the Ethics of Cosmopolitan Witnessing in The God of Small Things and All About My Sisters.- 5. Conclusion: Tenacious Bonds and the Comparatist's Responsibility in the Age of New Colonialism.