Werner Sander (19021972) holds an unusual stance in the history of Jewish music. Not only did he live through two dictatorshipsNazism and GDR communismbut these outer political influences shaped his life and career as a musician. Born in Breslau, he trained to become a teacher for piano and voice; he initially also worked as music critic and choral conductor. Upon the Nazi rise to power he turned to Jewish music, a shift that would shape his identity as a musician forever. With his move to East Germany after the end of World War II, Sander continued his path as a synagogue musician, while pursuing his keen interest in conducting oratorios. Sander is chiefly remembered for having founded the still existing Leipziger Synagogalchor in 1962, and having shaped it as a concert choir exclusively devoted to Jewish music in its diverse nature. Tina Frühauf explores how Sander fought for the survival of synagogue music under the difficult conditions in the GDR.

Autorentext
Frühauf, Tinais Adjunct Professor of Music at Columbia University and The Graduater Center at CUNY in New York and Associate Executive Editor at Répertoire International de Littérature Musicale. She is the author of "The Organ and Its Music in German Jewish Culture" and "Salomon Sulzer: Reformer, Cantor, Icon". Among her many publications is "Dislocated Memories: Jews, Music, and German-Jewish Culture", which won the 2015 Ruth A. Solie Award.