This book examines organizations of consumerist economics, which developed at the turn of the twentieth century in the West and at the turn of the twenty-first century in China, in relation to modernist poetics. Consumerist economics include the artificial person of the corporation, the vertical integration of production, and consumption based upon desire as well as necessity. This book assumes that poetics can be understood as a theory in practice of how a world works. Tracing the relation of economics to poetics, the book analyzes the impersonality of indirect discourse in Qian Zhongshu and James Joyce; the impressionist discourses of Mang Ke and Ezra Pound; and discursive difficulty in Mo Yan and William Faulkner. Bringing together two notably distinct cultures and traditions, this book allows us to comprehend modernism as a theory in practice of lived experience in cultures organized around consumption.

Focuses on the relationship between economics and literature Explores connections between Chinese and Western culture and English and Chinese literary texts Considers the epistemological, social, and experiential aspects of modernist poetics

Autorentext
Tiao Wang is Associate Professor of English Language and Literature at the School of Foreign Languages, Harbin Institute of Technology, China. She has published 23 articles, 9 of which are in English, focused on American and European modernism. She is also co-translator of Yong Bao Teng Tong (2017), a translation of Pain and Suffering by Ronald Schleifer (2014). Ronald Schleifer is George Lynn Cross Research Professor and Adjunct Professor of Medicine at the University of Oklahoma, USA. His publications in literary modernism include Modernism and Time: The Logic of Abundance in Literature, Science, and Culture, 1880-1930 (2000), Modernism and Popular Music (2011), and A Political Economy of Modernism: Literature, Post-Classical Economics, and the Lower Middle-Class (2018).

Inhalt
Introduction Gai : Modernity as Change: Introductory Notes on Culture, Enlightenment Modernity, Capitalism, Complexity, Semantic Overlap.- 1.Shi Chang Jing Ji : Market Economy: Modernity, Corporate Capitalism, and Chinese Literature since 1978.- 2. Xian Feng : Economies of Meaning: Semiotics, the Avant-Garde, And Corporate Capitalism.- 3. Che Dan: The Bathos of High Literary Modernism: Qian Zhongshu's Fortress Besieged and Performances of Literary Joking.- 4. Zhou : The Sublime Poetics of Literary Modernism: Luminous Detail and the Pursuit of Immanence in the Poetry of Mang Ke.- 5. Kun Nan : Difficulty and Clan in Literary Modernism: Faulkner's The Sound and the Fury and Mo Yan's Big Beasts & Wide Hips.- Afterword Fei Jian Dan : The Non-Simplicities of Culture: A Concluding Note.