The Aesthetics of the Graz School

This is the first volume devoted to the aesthetics of the Graz school. V. Raspa's introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. Í. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. P. Mahr asks if object-theoretical aesthetics is possible at all. M. Potrc and V. Strahovnik concentrate on Veber's aesthetic judgment. N. Dolcini deals with the migration of ficta, and F. Orilia with words and pictures in fictional stories.

Autorentext
Venanzio Raspa is Professor of Theoretical Philosophy at the Philosophical Institute at the University of Urbino, Italy.

Klappentext
The series presents historical and systematic studies on the philosophy of Alexius Meinong and his school, as well as on works influenced by aspects of Meinong's philosophy. Furthermore, the series is open to contributions in the analytic-phenomenological tradition, mirroring the most recent developments in these disciplines.