Informationen zum Autor Susan Sontag was born in Manhattan in 1933 and studied at the universities of Chicago, Harvard and Oxford. Her non-fiction works include On Photography , Regarding the Pain of Others and At the Same Time. She was also the author of four novels, including The Volcano Lover and In America, as well as a collection of stories and several plays. She was awarded the Jerusalem Prize, and received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. She died in December 2004. Klappentext Susan Sontag was born in Manhattan in 1933 and studied at the universities of Chicago, Harvard and Oxford. Her non-fiction works include A gainst Interpretation , On Photography , Illness as Metaphor , AIDS and its Metaphors and Regarding the Pain of Others. She is also the author of four novels, a collection of stories and several plays. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. She died in December 2004. Zusammenfassung Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

Autorentext
Susan Sontag was born in Manhattan in 1933 and studied at the universities of Chicago, Harvard and Oxford. Her non-fiction works include On Photography, Regarding the Pain of Others and At the Same Time. She was also the author of four novels, including The Volcano Lover and In America, as well as a collection of stories and several plays. She was awarded the Jerusalem Prize, and received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. She died in December 2004.

Zusammenfassung
Offers a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This book examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.