Japanese Horror and the Transnational Cinema of Sensations

Offers transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre

Provides insightful analysis of the formal aspects of Asian horror cinema that go well beyond previous studies, including in-depth discussion of sound design, framing and cinematographic techniques, and colored lighting

Details topics relevant to students and scholars of Asian Cinema and Popular Culture, as well as Transnational Media and Cultural Studies

Offers transnational analysis of selected J-horror films from new angles that shed light on previously ignored aspects of the genre Provides insightful analysis of the formal aspects of Japanese horror cinema that go well beyond previous studies, including in-depth discussion of sound design, framing, cinematographic techniques, color, and lighting Details topics relevant to students and scholars of Asian Cinema and Popular Culture, as well as Transnational Media and Cultural Studies

Autorentext

Steven T. Brown is Professor of Japanese Film, Transnational Cinema, and Sound Studies in the Department of Comparative Literature at the University of Oregon, USA. He is author of Tokyo Cyberpunk (2010) and Theatricalities of Power (2001), editor of Cinema Anime (2006), and co-editor of Performing Japanese Women (2002).

Inhalt

1. Introduction.- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi.- 3. Double Trouble: Doppelgängers in Japanese Horror.- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu.- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy.- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.