This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture in the form of curses, spells, future-telling, charms and protective talismans in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature's material contexts in the 1790s from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall's occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth's deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads , to Coleridge's anxious engagement with superstition as a despotic system of 'mental enslavement', and Robert Southey's wrestling with an (increasingly alluring) conservatism he associated witha reliance on ultimately incarcerating systems of superstition.

Examines a wide range of source material, from dramatic lyric to polemical tract Examines work from a variety of writers, both canonical and less well-known Addresses the Romantic era, which has been largely (and unjustly) overlooked by historians of British occult practice to date

Autorentext

Stephanie Elizabeth Churms completed her PhD at Aberystwyth University in September 2016 under the supervision of Prof. Damian Walford Davies. Her first article, '"There was One Man at Llyswen that could Conjure": John Thelwall - Cunning Man', was published in the July 2013 edition of Romanticism. She has also presented papers at several international conferences, including 'The Wye Valley: Romantic Representations, 1640-1830' (2011), 'Locating Revolution: Place, Voice, Community, 1780-1820' (2012), 'Visions of Enchantment: Occultism, Spirituality and Visual Culture' (2014), and the Bicentennial Keats Conference 'John Keats: Poet-Physician, Physician-Poet, 1815-1821' (2015).

Inhalt

1. Introduction.- 2. A Profile of Romantic-period Popular Magic: Taxonomies of Evidence.- 3. Adjacent Cultures and Political Jugglery.- 4. John Thelwall's Autobiographical Occult.- 5. Lyrical Ballands and Occult Identities.- 6. Coleridge and Curse.- 7. Robert Southey's Conservative Occult.- 8. Conclusion.