An essential critique of American Buddhism--11 Asian American women reclaim a vibrant feminist Dharma against whitewashing, patriarchy, and model-minority stereotypes Mainstream American Buddhism is often portrayed through a narrow, problematic lens: a group of mostly white converts sits on cushions. Eyes closed, blissed out, serenely meditating--this is Buddhism made passive and patriarchal, scrubbed of the rich complexities, myriad expressions, historical nuances, and creative ways of being that animate the living, beating heart of feminist Asian American Buddhism. This book is an overdue correction to whitewashed American ideas of the dharma. Editor Sharon Suh, PhD, offers a first-of-its-kind anthology that pushes back against patriarchal appropriation, orientalized stereotypes, and the idea that Buddhism means meditation…and meditation only. The book’s 11 essays offer a richer, more dynamic vision of Buddhist spirituality. Each asks into vital questions like: Can other acts--practicing martial arts, performing Japanese tea ceremonies, attuning to the spirit world, visiting cemeteries, hand-making objects--offer new relationships to the dharma? What does it mean to be a “Bad Buddhist Auntie” who teaches new generations as an imperfect ancestor? Or to be a feminist killjoy who sees Buddhism as a means of healing the wounds of marginalization? How can we live with--not in ignorance of--Buddhism’s own history of driving state violence? What do we owe our parents --especially our mothers, to whom we are karmically bound? how can Buddhism teach us not only about obedience, but about self-love ? Each essay helps the reader question dominant narratives, wrestle with ambivalence and authenticity, or explore creative expressions of Buddhist spirituality. Together, the 11 writers offer an invitation into the anxieties, joys, struggles, disavowals, and desires that shape their relationship to the dharma--and they expand the category of Buddhist life and practice in a timely, necessary reclamation....

Autorentext

Sharon A. Suh, Ph.D., is an intersectional feminist scholar and practitioner of Buddhism focusing on the intersections of religion, race, gender, trauma, and embodiment. She has a Ph.D. in Buddhist Studies from Harvard University and an M.T.S. from Harvard Divinity School. She has published widely in these areas and has received several trauma-informed certifications in mindfulness, yoga, and somatic healing modalities that she uses to lead workshops for faculty, staff, students, and the public on healing race-based trauma through mindfulness at national conferences, universities, and religious organizations throughout the country. She is author of Being Buddhist in a Christian World: Gender & Community in a Korean American Temple (University of Washington Press, 2004); Silver Screen Buddha: Buddhism in Asian and Western Film (Bloomsbury Press, 2015); and Occupy This Body: A Buddhist Memoir (Sumeru Press, 2019).

Klappentext

An essential critique of American Buddhism—11 Asian American women reclaim a vibrant feminist Dharma against whitewashing, patriarchy, and model-minority stereotypes

Mainstream American Buddhism is often portrayed through a narrow, problematic lens: a group of mostly white converts sits on cushions. Eyes closed, blissed out, serenely meditating—this is Buddhism made passive and patriarchal, scrubbed of the rich complexities, myriad expressions, historical nuances, and creative ways of being that animate the living, beating heart of feminist Asian American Buddhism.

This book is an overdue correction to whitewashed American ideas of the dharma. Editor Sharon Suh, PhD, offers a first-of-its-kind anthology that pushes back against patriarchal appropriation, orientalized stereotypes, and the idea that Buddhism means meditation…and meditation only. The book’s 11 essays offer a richer, more dynamic vision of Buddhist spirituality. Each asks into vital questions like:

• Must we meditate? Can other acts—practicing martial arts, performing Japanese tea ceremonies, attuning to the spirit world, visiting cemeteries, hand-making objects—offer new relationships to the dharma?
• What does it mean to be a “Bad Buddhist Auntie” who teaches new generations as an imperfect ancestor? Or to be a feminist killjoy who sees Buddhism as a means of healing the wounds of marginalization?
• How can we live with—not in ignorance of—Buddhism’s own history of driving state violence?
• What do we owe our parents—especially our mothers, to whom we are karmically bound?
• And how can Buddhism teach us not only about obedience, but about self-love?
  Each essay helps the reader question dominant narratives, wrestle with ambivalence and authenticity, or explore creative expressions of Buddhist spirituality. Together, the 11 writers offer an invitation into the anxieties, joys, struggles, disavowals, and desires that shape their relationship to the dharma—and they expand the category of Buddhist life and practice in a timely, necessary reclamation.