This book questions when exactly the Anthropocene began, uncovering an early Anthropocene in the literature, art, and science of eighteenth- and nineteenth-century Britain. In chapters organized around the classical elements of Earth, Fire, Water, and Air, Seth Reno shows how literary writers of the Industrial Era borrowed from scientists to capture the changes they witnessed to weather, climate, and other systems. Poets linked the hellish flames of industrial furnaces to the magnificent, geophysical force of volcanic explosions. Novelists and painters depicted cloud formations and polluted urban atmospheres as part of the emerging discipline of climate science. In so doing, the subjects of Reno's studysome famous, some more obscuregave form to a growing sense of humans as geophysical agents, capable of reshaping Earth itself. Situated at the interaction of literary studies, environmental studies, and science studies, Early Anthropocene Literature inBritain tells the story of how writers heralded, and wrestled with, Britain's role in sparking the now-familiar epoch of humans.

Documents the emergence of geology, natural history, climatology, and industrialization in the 17001800s Draws from literary, scientific, political, and philosophical texts Extends the existing canon of climate change literature and our understanding of the foundations of the Anthropocene

Autorentext
Seth T. Reno is Associate Professor of English at Auburn University Montgomery, USA. He is author of Amorous Aesthetics: Intellectual Love in Romantic Poetry and Poetics, 1788-1853 (2019), editor of Romanticism and Affect Studies (2018), and co-editor of Wordsworth and the Green Romantics: Affect and Ecology in the Nineteenth Century (2016).

Klappentext

This book questions when exactly the Anthropocene began, uncovering an early Anthropocene in the literature, art, and science of eighteenth- and nineteenth-century Britain. In chapters organized around the classical elements of Earth, Fire, Water, and Air, Seth Reno shows how literary writers of the Industrial Era borrowed from scientists to capture the changes they witnessed to weather, climate, and other systems. Poets linked the hellish flames of industrial furnaces to the magnificent, geophysical force of volcanic explosions. Novelists and painters depicted cloud formations and polluted urban atmospheres as part of the emerging discipline of climate science. In so doing, the subjects of Renös study some famous, some more obscure gave form to a growing sense of humans as geophysical agents, capable of reshaping Earth itself. Situated at the interaction of literary studies, environmental studies, and science studies, Early Anthropocene Literature inBritain tells the story of how writers heralded, and wrestled with, Britain s role in sparking the now-familiar epoch of humans.

Zusammenfassung

"Seth T. Reno's Early Anthropocene Literature in Britain, 1750-1884 cuts across more than a century's worth of aesthetic and scientific cultural production ... . Early Anthropocene Literature in Britain surveys a wide range of writings that self-consciously chronicle ... . Early Anthropocene Literature in Britain surveys an incredibly rich archive and observes numerous connections between anthropogenic enterprise and geophysical processes." (Devin M. Garofalo, Victorian Studies, Vol. 65 (2), 2023)

Inhalt

The Cradle of the Anthropocene.- 2. Volcanoes and Industrialization in Early Anthropocene Literature.- 3. Rivers, Canals, and Commerce in the Early Anthropocene.- 4. Clouds and Climate Change in the Nineteenth Century.- Epilogue: Modernism and the Anthropocene.