Zusatztext Gjerdingen has provided us with an invaluable inventory of eighteenth-century galant style, a rich resource that captures, explains, and (more or less) codifies familiar musical gestures for our delectation and further investigation. Informationen zum Autor Robert Gjerdingen is Professor of Music at Northwestern University's School of Music Klappentext 0 Zusammenfassung Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth-century. Inhaltsverzeichnis 1: Introduction 2: The Romanesca 3: The Prinner 4: The Fonte 5: A Minuet by Giovanni Battista Somis 6: The Do-Re-Mi 7: The Monte 8: A Theme and Variations by Carl Ditters von Dittersdorf 9: The Meyer 10: A Theme and Variations by Joseph Haydn 11: Clausulae 12: An Andante by Christoph Willibald Gluck 13: The Quiescenza 14: The Ponte 15: A Grave Sostenuto by Baldassare Galuppi 16: The Fenaroli 17: An Allegro by Carl Ditters von Dittersdorf 18: The Sol-Fa-Mi 19: An Andante by Johann Christian Bach 20: The Indugio 21: A Cantabile by Simon Leduc 22: A Larghetto by Leonardo Leo 23: An Andantino by Baldassare Galuppi 24: An Andantino Affettuoso by Niccolo Jommelli 25: The Child Mozart 26: An Allegro by Wolfgang Amadeus Mozart 27: II Filo: A Poco Adagio by Joseph Haydn 28: A Model Adagio by Johann Joachim Quantz 29: A Model Allegro by Francesco Galeazzi 30: Summary and Cadenza Appendix A: Schema Prototypes Appendix B: Partimenti Notes Index of Music Sources General Index

Autorentext

Robert Gjerdingen is Professor of Music at Northwestern University's School of Music

Klappentext

0

Zusammenfassung
Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth-century.

Inhalt

• 1: Introduction

• 2: The Romanesca

• 3: The Prinner

• 4: The Fonte

• 5: A Minuet by Giovanni Battista Somis

• 6: The Do-Re-Mi

• 7: The Monte

• 8: A Theme and Variations by Carl Ditters von Dittersdorf

• 9: The Meyer

• 10: A Theme and Variations by Joseph Haydn

• 11: Clausulae

• 12: An Andante by Christoph Willibald Gluck

• 13: The Quiescenza

• 14: The Ponte

• 15: A Grave Sostenuto by Baldassare Galuppi

• 16: The Fenaroli

• 17: An Allegro by Carl Ditters von Dittersdorf

• 18: The Sol-Fa-Mi

• 19: An Andante by Johann Christian Bach

• 20: The Indugio

• 21: A Cantabile by Simon Leduc

• 22: A Larghetto by Leonardo Leo

• 23: An Andantino by Baldassare Galuppi

• 24: An Andantino Affettuoso by Niccolo Jommelli

• 25: The Child Mozart

• 26: An Allegro by Wolfgang Amadeus Mozart

• 27: II Filo: A Poco Adagio by Joseph Haydn

• 28: A Model Adagio by Johann Joachim Quantz

• 29: A Model Allegro by Francesco Galeazzi

• 30: Summary and Cadenza

• Appendix A: Schema Prototypes

• Appendix B: Partimenti

• Notes

• Index of Music Sources

• General Index