Both Sheridan and Goldsmith lamented the popularity of sentimental comedy in the later eighteenth century and wrote their witty and satirical plays (though never lascivious in the manner of Restoration comedies) to counteract the sentimental mode. The Rivals (1775) was a qualified success: the suave young officer who is ''forced'' by his father to marry the very girl to whom he is secretly engaged must always please; but first audiences were as uncertain as later critics about how to evaluate his neurotic friend Faulkland, who invents a series of caveats for his marriage to the earnest Julia. A country squire who becomes alarmingly foppish in town, an impetuous Irishman and the linguistically challenged Mrs Malaprop complete the cast. This edition includes the original preface and several prologues; in an appendix it lists all the fashionable books and songs to which the characters allude.>

'Wonderfully rich and elegant comedy is accompanied by sudden glimpses of deeper emotion'

Vorwort
A major new edition which brings a modern approach to the Introduction and text.

Autorentext
Richard Brinsley Sheridan (1751-1816) Dublin-born playwright and theatre manager, who produced three classic comedies within a five-year writing career. "Whatever Sheridan has done or chosen to do," Lord Byron wrote, "has been, par excellence, the best of its kind." He was the son of the Irish actor-manager Thomas Sheridan and his wife Frances, a popular novelist. In 1775 the double success of Sheridan's first great comedy, The Rivals, and his comic opera The Duenna allowed him to buy Garrick's share in Drury Lane; he became manager in 1776 and sole owner two years later. Another brilliant comedy of manners, The School for Scandal, opened in 1777 at Drury Lane to universal acclaim. He also wrote a burlesque of heroic drama, The Critic (1779). All are high comedies, featuring such memorable characters as Mrs Malaprop, Lady Teazle, and Mr Puff. Unfortunately he was not so brilliant in his management of Drury Lane. His love of extravagant spectacles almost led to bankruptcy, and he constantly became embroiled in legal action against managers of unlicensed theatres. In 1794 he rebuilt his theatre to such vast proportions that Mrs Siddons called it "a wilderness of a place". In 1780 Sheridan abandoned the theatre to enter parliament, where he gained a reputation as a fine orator (on one occasion speaking for over five hours). When Drury Lane caught fire in 1809 he drank a leisurely glass of wine at the Great Piazza coffee house, watching the flames consume his theatre and remarking "A man may surely be allowed to take a glass of wine at his own fireside." He died in poverty.Tiffany Stern is Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham, UK.Tiffany Stern is Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham, UK.

Zusammenfassung
A major new edition which brings a modern approach to the Introduction and text.