This book argues that E. M. Forster, T. S. Eliot, and Virginia Woolf engaged sustainedly with real and imagined places as sites of counter-cultural politics. These writers used architectural images in diaries, essays, novels, poems, and plays to express their dissatisfaction with imperial London: from the glorification of war to the erosion of local religious and linguistic traditions, and rigidly gendered practices in domestic and public life. Drafty Houses shows that each author experienced post-war modernity as intimate spatial dislocationin Egypt (Forster), in the church (Eliot), or in London's museums and streets (Woolf)and traces connections between their personal experiences and lesser read publications to theorize about the impact of places on their writerly perspectives. By closely examining each author's negotiation of space symbolic of Englishness, empire, and global politics, Drafty Houses considers the limitsand the open-ended possibilities of liberal humanism, Christian conservatism, and feminist pacifism.

Argues that modernist authors used spatial metaphors to open up sites of political intervention and resistance Provides an alternative reading of these writers who tend to be discounted as politically unimportant or disaffected Weaves biography, archival research, literary theory, and close readings of less familiar texts

Autorentext

Ria Banerjee is Associate Professor of English at Guttman Community College and Consortial Faculty at the Graduate Center of the City University of New York, USA. She has been published in Modernism/modernity Print Plus, ELN, the Eliot Studies Annual, and South Atlantic Review.

Klappentext

This book argues that E. M. Forster, T. S. Eliot, and Virginia Woolf engaged sustainedly with real and imagined places as sites of counter-cultural politics. These writers used architectural images in diaries, essays, novels, poems, and plays to express their dissatisfaction with imperial London: from the glorification of war to the erosion of local religious and linguistic traditions, and rigidly gendered practices in domestic and public life. Drafty Houses shows that each author experienced post-war modernity as intimate spatial dislocation-in Egypt (Forster), in the church (Eliot), or in London's museums and streets (Woolf)-and traces connections between their personal experiences and lesser read publications to theorize about the impact of places on their writerly perspectives. By closely examining each author's negotiation of space symbolic of Englishness, empire, and global politics, Drafty Houses considers the limitsand the open-ended possibilities of liberal humanism, Christian conservatism, and feminist pacifism.

Inhalt

Chapter 1- Introduction.- Chapter 2 - Spatial Renovations and Forgetting as Memorialization in Forster's Global Imaginarium.- Chapter 3 - Stage Spaces and T. S. Eliot's Exits from Secular Modernity.- Chapter 4 - Drafty Houses, Imperial Boredom, and Collecting in Woolf's Lumber Room.