This is the first book to tell the story of the bebop subculture in London's Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho's clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the 'classic' subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.

Provides the first history of the bebop jazz youth subculture in Britain Tells a compelling story by bringing together a wide range of unexplored sources for the first time Explores subcultural studies, race and ethnic studies, media studies, jazz studies, and fashion studies

Autorentext

Ray Kinsella is a writer and part-time Lecturer in Cultural Studies at the University of the Arts London, UK.

Klappentext

This is the first book to tell the story of the bebop subculture in London s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Sohös clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the classic subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.

Zusammenfassung
"Ray Kinsella's book, which is based on his PhD thesis, sheds light on the dimly lit British bebop scene of the mid-to-late 1940s and early 1950s. It gently disproves misconceptions about beboppers and the milieu they created. ... The Bebop Scene in London's Soho is an authoritative text on a neglected subject in British cultural history. ... the book uses it as an entry point to explore wider topics, such as histories of fashion, race, gender ... ." (Jacob Bloomfield, H-Soz-Kult, hsozkult.de, July 6, 2023)

Inhalt

Introduction.- 2. Contextualizing Soho, 1800-1945.- 3. Bebop Music and the Soho Clubs.- 4. Men's and Women's Sartorial Style in the Clubs: The Bebop Look.- 5. The Police Raids on the Soho Bebop Clubs, 1947-1950.- 6. Soho After the Raids.- 7. Is This a Subculture?.- 8. Conclusion.