Informationen zum Autor Clive Scott is Professor Emeritus of European Literature! University of East Anglia. He is a Fellow of the British Academy and 2014 President of the Modern Humanities Research Association. He has been described as "the founder of an innovative school of UK translation studies" at the University of East Anglia. Klappentext Besides providing a new appraisal of Guillaume Apollinaire! the foremost French poet of early Modernism and WWI! Translating Apollinaire aims to put the ordinary reader at the centre of the translational project. Zusammenfassung Besides providing a new appraisal of Guillaume Apollinaire! the foremost French poet of early Modernism and WWI! Translating Apollinaire aims to put the ordinary reader at the centre of the translational project. Inhaltsverzeichnis Illustrations Acknowledgements A Note on the Text Prefatory Remarks Introduction Chapter One: Styles and Margins Chapter Two: Choices! Variants and Variation Chapter Three: The Linear and the Tabular Chapter Four: Frames and Blind Fields Chapter Five: The Chromatic and the Acoustic Chapter Six: New Sounds! New Languages Conclusion: Repetition! Difference and Simulacrity Appendix I: Texts Appendix II: The Case for the Tabular Notes Bibliographical References Index

Autorentext

Clive Scott is professor emeritus of European literature at the University of East Anglia. Among his numerous books are "Translating Rimbaud's "Illuminations"" and "Translating Baudelaire."

Klappentext

Besides providing a new appraisal of Guillaume Apollinaire, the foremost French poet of early Modernism and WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project.

Inhalt

Illustrations Acknowledgements A Note on the Text Prefatory Remarks Introduction Chapter One: Styles and Margins Chapter Two: Choices, Variants and Variation Chapter Three: The Linear and the Tabular Chapter Four: Frames and Blind Fields Chapter Five: The Chromatic and the Acoustic Chapter Six: New Sounds, New Languages Conclusion: Repetition, Difference and Simulacrity Appendix I: Texts Appendix II: The Case for the Tabular Notes Bibliographical References Index