This book tells a story of urban modernisation on the peripheries of the two nineteenth­century empires, examines how people at the time imagined a 'European city' and how they strived to fulfil this ideal. At the same time this monograph demonstrates how nationalism became part of this development and why it was resisted. It also explains how various actors played the nationalist card to achieve very different goals. This study of urban development also shows how local politics often defied well-known nationalist scripts: A German mayor of Posen condemned Germanisation politics of the Prussian government, whereas Cracow's media celebrated technical novelties in city theatre building, rather than national decorations. The comparative perspective shows not only similarities and differences of the symbolic regimes in the Hohenzollern and Habsburg monarchies, but also how nationalism was merely part of a bigger picture and can be properly understood only together with class, religion and other political factors. Last but not least, this book challenges common assumptions about the irrational nature of national commemorations and symbolic politics in general, showing why various state and private actors engaged in such enterprises and what they could gain from it.

Autorentext
After graduating in history in 2011 from the University of Dundee, Scotland and in the same year from the Jagiellonian University, Poland, Piotr Kisiel pursued his PhD at the European University Institute, Italy where he defended his dissertation in January 2016. It derives from not only his MA thesis about German national monuments in the 19th century but also from his knowledge gained while studying law at the Jagiellonian University (graduate 2009). In April 2018 he began his post-docs research project at the Institute for Advanced Study Konstanz. His academic interests focus on nationalism, social identities and symbolic politics, as well as Central and Eastern European history.