Autorentext

Hanna B. Hölling is Research Professor, Bern University of Applied Sciences-Academy of the Arts and Honorary Fellow, Department of History of Art, University College London.

Jules Pelta Feldman is a Postdoctoral Fellow, Bern University of Applied Sciences- Academy of the Arts.

Emilie Magnin is a Doctoral Candidate at Bern University/ University of Applied Sciences-Academy of the Arts and a Conservator for Media Art and Installations at the Kunstmuseum Bern.

Klappentext

This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains.

Inhalt

List of figures

List of contributors

Introduction: Caring for performance
HANNA B. HÖLLING, JULES PELTA FELDMAN AND EMILIE MAGNIN

PART I
Care: Theoretical entanglements

1 Charisma and desire in the conservation of performance art
PIP LAURENSON

2 Not, yet: When our art is in our hands
REBECCA SCHNEIDER AND HANNA B. HÖLLING

3 Vitality and the conservation of performance
HÉLIA MARÇAL

4 Conserving the un-conservable: Documenting environmental performance for the twenty-first century
GABRIELLA GIANNACHI

5 Innovation and preservation: Shadreck Chirikure on the performance of heritage-A conversation with Hanna B. Hölling

PART II
The politics and institutions of care

6 An experimental acquisition: Ralph Lemon's Scaffold Room (2014)
at the Walker
IONA GOLDIE-SCOT

7 In the shadow of the state: Collecting performance at IMMA and
institutions of care in the Irish context
BRIAN CASTRIOTA AND CLAIRE WALSH

8 Towards a performance continuum: Archival strategies for
performance-based artworks
FARRIS WAHBEH

9 Peeling the paint off the walls: Kelli Morgan on Black performance
and racial justice in Western Institutions
HANNA B. HOLLING, JULES PELTA FELDMAN AND EMILIE MAGNIN

10 Performing the "Mask": Kongo Astronauts (Eléonore Hellio and
Michel Ekeba) on postcolonial entanglements
HANNA B. HOLLING, EMILIE MAGNIN, VALERIAN MALY AND JACOB BADCOCK

PART III
Living conservation

11 Knowledge has to live: Dread Scott on Slave Rebellion
Reenactment (2019)
JULES PELTA FELDMAN

12 Conserving a performance about conservation: Care and
preservation in Mierle Laderman Ukeles's maintenance art
KAROLINA WILCZYN SKA

13 Living materials: Ethics and principles for embodied stewardship
CORI OLINGHOUSE AND MEGAN METCALF

14 Precarious movements: Contemporary dance as contemporary art
ERIN BRANNIGAN AND LOUISE LAWSON

15 Potential afterlives: Cauleen Smith on the relation of film to
performance
HANNA B. HÖLLING AND JULES PELTA FELDMAN

Index