Autorentext

Oscar Wilde (1854-1900) was an Irish poet, playwright, novelist, and critic, widely regarded as one of the most brilliant literary figures of the late nineteenth century. Known for his wit, elegance, and distinctive conversational style, Wilde became one of the leading voices of the Aesthetic Movement, which championed beauty and art for their own sake.Born in Dublin and educated at Trinity College and later at Oxford, Wilde quickly gained fame in London literary society for both his writing and his personality. His major works include the plays The Importance of Being Earnest, An Ideal Husband, and Lady Windermere's Fan, as well as his only novel, The Picture of Dorian Gray.Wilde's works are celebrated for their sparkling dialogue, satire of social conventions, and exploration of beauty, morality, and human nature. Although controversial during his lifetime, his literary reputation has continued to grow, and he is now considered one of the great writers of English literature.His life ended tragically after a highly publicized trial and imprisonment in 1895, events that damaged his career and health. Yet Wilde's writings endured beyond the scandal of his age, and today his works remain admired throughout the world for their intelligence, humor, and enduring insight into society and human character.

Klappentext

When The Picture of Dorian Gray first appeared in 1890, it provoked one of the most hostile reactions in Victorian literary culture. Reviewers condemned the novel as immoral, decadent, poisonous, and dangerous to public morality. Newspapers accused Oscar Wilde of corrupting literature itself, while critics denounced the book's fascination with beauty, pleasure, and moral decay. The controversy surrounding the novel arose not merely from its story, but from what it seemed to represent. Victorian society valued moral instruction in art, and Wilde's aesthetic philosophy - that art need not justify itself through morality - appeared deeply threatening to many contemporary readers. The novel's themes of vanity, secrecy, sensuality, and corruption challenged the strict public standards of late nineteenth-century England. Several early reviews became infamous for their severity. The Daily Chronicle warned that the novel would "taint every young mind that comes in contact with it," while the Scots Observer attacked Wilde personally for "grubbing in muck-heaps." Other critics dismissed the work as decadent French-inspired corruption unfit for respectable society. Yet history would reverse many of these judgments. What Victorian critics regarded as dangerous later generations came to recognize as psychologically insightful, stylistically brilliant, and artistically daring. Wilde's epigrams, once criticized as artificial or immoral, are now celebrated among the finest examples of English wit. The novel's exploration of identity, conscience, appearance, and hidden desire has secured its place as one of the defining works of modern literature. The story of The Picture of Dorian Gray serves as a reminder that literary reputation is never fixed. Many works now considered classics were initially misunderstood, condemned, or censored by the societies into which they were born. The outrage that once surrounded Wilde's novel reveals as much about Victorian anxieties as it does about the book itself. Today, the controversy forms part of the novel's enduring fascination. Modern readers encounter not merely a Gothic tale of beauty and corruption, but also a work that challenged the moral assumptions of its age - and survived the condemnation of its critics to become one of the most celebrated novels in English literature.