The first comprehensive monograph on Italian artist Mariuccia Secol. Showcasing textile art, sculptures, and installations from a feminist perspective. An essential volume for feminist and contemporary art history.

This monograph is the first comprehensive study of Italian artist Mariuccia Secol (*1929), who redefined the boundaries of feminist art through powerful textile and sculptural works. Her practice evolved from abstract painting in the 1950s and 1960s to innovative fabric assemblages, installations with everyday materials, ceramics, and collages. Thematically, her works revolve around issues such as the subordinate role of women, domestic violence, and social exclusion. Using embroidery, fabric deconstructions, and household objects, Secol created textile artworks that symbolize wounds and resilience and intensively address the political and social problems of our time.

Mariuccia Secol was born in Castellanza (northern Italy) in 1929 and lives and works in Daverio near Milan. After completing her artistic training, she began exhibiting her work extensively and, in 1974, co-founded the feminist artist group Gruppo Feminist Immagine di Varese, with which she exhibited at the 1978 Venice Biennale. Today, her works are recognised worldwide and shown at important feminist art exhibitions, such as The Unexpected Subject: 1978 Art and Feminism in Italy at the FM Centre for Contemporary Art in Milan and Cooking, Cleaning, Caring: Care Work in the Arts Since 1960 at the Josef Albers Museum Quadrat in Bottrop.

An essential volume for feminist and contemporary art history.

Inhalt
Cover Titlepage Contents Foreword - Grayna Kulczyk MARIUCCIA SECOL: A LIFE IN IMAGES - Eva Brioschi ART AS AN ACT OF HUMANITARIANISM AND SOCIAL AND POLITICAL ENGAGEMENT - Monika Branicka SECOND GENESIS: CARE, CURE, AND AUTOPOIESIS - Eva Brioschi VOGLIAMO VO(G)LIAMO* CONFERENCE: WOMAN-ART-SOCIETY - Milli Gandini, Mariuccia Secol, Silvia Cibaldi, Mirella Tognola, Maria Teresa Fata, and Mariagrazia Sironi THE GALLERY OF WORKS TRANSFORMATIVE ENCOUNTERS: MARIUCCIA SECOL'S WORK ON DISPLAY IN THE MID-NINETEEN-SEVENTIES - Maria Bremer ICONOGRAPHY OF AN ABSENCE: MARIUCCIA SECOL, THE REBEL ARCHIVES OF FEMINISM, AND THE AMNESIA OF HISTORY - Marco Scotini NEAR TO THE WILD HEART: 1FEMINISM, LABOR, ART, AND THERE DISCOVERY OF MARIUCCIA SECOL - Janis Jefferies CAPITAL HAS NO MOTHER, ONLY MANAGERS: MARIUCCIA SECOL AND THE FEMINIST STRUGGLE AGAINST THE ECONOMIZATION OF WOMEN'S LABOR - María Inés Plaza Lazo THREE TALES - Mariuccia Secol TO FABLE ONE'S OWN EXPERIENCES: NO LONGER A LABOR OF LOVE - Sonia D'Alto THE HORIZON IS ALWAYS FARTHER ... - Interview with Manuela Gandini, daughter of Milli Gandini, by Monika Branicka and Eva Brioschi AUTHOR BIOGRAPHIES Colophon