Migrant Identities of «Creole Cosmopolitans»: Transcultural Narratives of Contemporary Postcoloniality offers a wide array of narratives that complicate the rhetoric of cosmopolitanism and the related discourses of «hybridity.» In addition, the collection addresses in at least two significant ways the question about «beyond postcolonialism» and the future of the discipline.

One defining question links the essays of this collection: How do aesthetic and stylistic choices perform the condition of dislocation of the migrant and, in doing so, also put pressure on the seemingly global promise of cosmopolitanism? Migrant Identities of «Creole Cosmopolitans»: Transcultural Narratives of Contemporary Postcoloniality offers a wide array of narratives that complicate the rhetoric of cosmopolitanism and the related discourses of «hybridity». Many such narratives are under-theorized migrations, such as Dalit narratives from India and inter-island migrations in the Caribbean. Collectively, the essays suggest that there are ways in which the forms of the migrant aesthetics, language, and imaginaries may offer new insights in the interactions between practices and discourses of hybridity and cosmopolitanism by examining their precise points of intersection and divergence. This inquiry is especially timely because it raises questions about the circulation, marketing, and consumption of narratives of migration, dislocation, and «diaspora.» In addition, the collection addresses in at least two significant ways the question about «beyond postcolonialism» and the future of the discipline. First, by questioning and critically examining some foundational theories in postcolonialism, it points to possible new directions in our theoretical vocabulary. Second, it offers an array of reflections around disparate geographies that are, equally importantly, written in different languages. The value that the authors place on languages other than English and their choice to focus on the effect that multiple languages have on the present of postcolonial studies are in line with one of the aims of the collection to make the case for a multilingual expansion of the postcolonial imaginary as a necessary imperative.

Autorentext

Nirmala Menon is Assistant Professor of Literature at the Indian Institute of Technology (IIT) Indore, India. She received her doctorate at The George Washington University in Washington, D.C. Her areas of expertise include postcolonial literature and theory from India, especially in multilingual narratives. She has written and published in areas of translation studies and regional language literatures in India. Dr. Menon is a member of the Postcolonial Studies Association (PSA) and is a reader and reviewer for publications such as Journal of Postcolonial Writing, Postcolonial Text, and Cambridge Journal of Postcolonial Literary Inquiry. Her current working projects include a monograph and a digital humanities database. She is an executive member of the Editorial and Internationalisation Committee of Open Library for Humanities (OLH). Marika Preziuso is Assistant Professor of World Literature at Massachusetts College of Art and Design (Mass Art) in Boston. She received her PhD in comparative literature from Caribbean women writers at the University of London. Her areas of academic interest include contemporary literature by immigrant writers in the United States, Latin@ literature, postcolonial literature, and gender and cultural studies. Dr. Preziuso is particularly interested in interdisciplinary narratives of twentieth-century and contemporary migrants through literature and the visual arts. She currently leads the Committee for the Visual Arts of the Caribbean Studies Association (CSA).

Zusammenfassung
Migrant Identities of "Creole Cosmopolitans": Transcultural Narratives of Contemporary Postcoloniality offers a wide array of narratives that complicate the rhetoric of cosmopolitanism and the related discourses of "hybridity." In addition, the collection addresses in at least two significant ways the question about "beyond postcolonialism" and the future of the discipline.

Inhalt

Contents: Alex Gil: The Migrant Text: Aimé Césaire's Hemispheric Gambit and the Editorial Blind-Spot - Hanadi Al-Samman: Border Crossings: Cultural Collisions and Reconciliation in Hanan Al-Shaykh's Only in London - Annedith Schneider: Politics and Belonging in the Music of Turkish-French Rapper C-it - Marika Preziuso: Postcolonial Textualities and Diasporic Imagination: Reading Julia Alvarez's In the Time of the Butterflies (1994) through Azar Nafisi's Reading Lolita in Tehran (2003) - Søren Frank: Migration Literature and Place: Aleksandar Hemon's The Lazarus Project - Malachi McIntosh: Lamming vs. Naipaul: Writing Migrants, Writing Islands in the British Literary Field - Eugenio Matibag: Long-Distance Nationalism: The Filipino Ilustrados Abroad - Nirmala Menon: The Hullabaloo about Hybridity in Kiran Desai's The Inheritance of Loss - Putul Sathe: Liminality within Borders: A Study of Baby Kamble's The Prisons We Broke and Urmila Pawar's The Weave of My Life - Satoko Kakihara: Family Desires: Kinship and Intimacy among Japanese Immigrants in America - Sumana Ray: Rethinking Hybridity: Liminality in the Cultural Productions by Black and Asian Women in Britain.