Zusatztext This is an excellent short guide that manages to cram in a vast amount of information into a very small space. It never pretends to offer a history of film but is a superb resource for getting students to think about film as a medium, and to think about what makes film distinct as a means of conveying information, emotion, ideas at the same time as generating wonder, admiration, controversy, or ire. An unrivalled introduction to thinking about film as a medium. / Matthew Woodcock, University of East Anglia Informationen zum Autor Michael Wood is Charles Barnwell Start Professor of English and Professor of Comparative Literature, Princeton University. He has published many books including America in the Movies (Basic Books and Secker & Warburg, 1975), The Magician's Doubts: Nabokov and the risks of fiction (Chatto and Windus, 1994); Belle de Jour ( BFI Film Classics, British Film Institute Publishing, 2001); and The Road to Delphi: the Life and Afterlife of Oracles (Chatto & Windus, 2004). Klappentext Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society. Zusammenfassung Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society. Inhaltsverzeichnis 1: Frame after Frame 2: Life in the Dark 3: Story Time 4: Digital Dreams

Autorentext
Michael Wood is Charles Barnwell Start Professor of English and Professor of Comparative Literature, Princeton University. He has published many books including America in the Movies (Basic Books and Secker & Warburg, 1975), The Magician's Doubts: Nabokov and the risks of fiction (Chatto and Windus, 1994); Belle de Jour ( BFI Film Classics, British Film Institute Publishing, 2001); and The Road to Delphi: the Life and Afterlife of Oracles (Chatto & Windus, 2004).

Klappentext

Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.

Inhalt

• 1: Frame after Frame

• 2: Life in the Dark

• 3: Story Time

• 4: Digital Dreams