Under the Dragon's Tail

Zusatztext Vivid heartwrenching. Late-19th-century Toronto comes startlingly alive in Jennings's second gripping tale. Publishers Weekly A very powerful novel. Poison Pen [Murdoch's] warm heart makes him the right sleuth for this cold city. New York Times There are touches of Anne Perry and Peter Lovesay in her clear-eyed look at the social ills of the period. Denver Post Grab a copy of Under the Dragon's Tail [Jennings has] a wonderful ability to describe this place and time. Mystery Collectors' BookLine A stupendously stimulating historical mystery that will garner new readers for a rising star. Feminist Mystery Reviews Informationen zum Autor Maureen Jennings 's Detective Murdoch series has been a hit from the start. Published to rave reviews! the first novel! Except the Dying was shortlisted for both the Arthur Ellis and the Anthony first novel awards. The influential Drood Review picked Poor Tom Is Cold as one of its favourite mysteries of 2001. And Let Loose the Dogs was shortlisted for the 2004 Anthony Award for best historical mystery. Three of the novels have been adapted for television! and four seasons of a television series! The Murdoch Mysteries ! based on the characters from the novels! have been produced by Shaftesbury Films for CITY TV/Rogers! UKTV in Britain and distributed internationally by ITV/Granada international. Born in the U.K.! Jennings now lives in Toronto. Zusammenfassung Women rich and poor come to her! desperate and in dire need of help and discretion. Dolly Merishaw is a midwife and an abortionist in Victorian Toronto! but although she keeps quiet about her clients' condition! her contempt for them and her greed leaves every one of them resentful and angry. So it comes as no surprise to Detective William Murdoch when this malicious woman is murdered. What is a shock! though! is that a week later a young boy is found dead in Dolly's squalid kitchen. Now! Murdoch isn't sure if he's hunting one murderer or two. ...

Autorentext
Maureen Jennings’s Detective Murdoch series has been a hit from the start. Published to rave reviews, the first novel, Except the Dying was shortlisted for both the Arthur Ellis and the Anthony first novel awards. The influential Drood Review picked Poor Tom Is Cold as one of its favourite mysteries of 2001. And Let Loose the Dogs was shortlisted for the 2004 Anthony Award for best historical mystery.

Three of the novels have been adapted for television, and four seasons of a television series, The Murdoch Mysteries, based on the characters from the novels, have been produced by Shaftesbury Films for CITY TV/Rogers, UKTV in Britain and distributed internationally by ITV/Granada international.

Born in the U.K., Jennings now lives in Toronto.

Zusammenfassung
Women rich and poor come to her, desperate and in dire need of help – and discretion. Dolly Merishaw is a midwife and an abortionist in Victorian Toronto, but although she keeps quiet about her clients’ condition, her contempt for them and her greed leaves every one of them resentful and angry. So it comes as no surprise to Detective William Murdoch when this malicious woman is murdered. What is a shock, though, is that a week later a young boy is found dead in Dolly’s squalid kitchen. Now, Murdoch isn’t sure if he’s hunting one murderer – or two.

Leseprobe
Chapter One

Sunshine was streaming through the kitchen window, making the flies sluggish as they crawled across the pine table. Irritably, Dolly Merishaw swatted a few of them, brushing the carcasses onto the floor. Even that slight effort caused a stabbing pain behind her eyes. She tried to wet her lips but her tongue was thick as cloth. She picked up the beer jug from the sideboard, but there were only dregs left and a bluebottle had drowned itself in the bottom.

She knew the two boys were out scavenging along the Don River and that Lily was delivering laundry to her customers on Gerrard Street, but she resented the fact they ­weren’t here to look after her, to bring her a pot of tea the way she liked.

“Useless slags,” she said out loud.

Not that she ever uttered a word of appreciation when her daughter waited on her. In Dolly’s opinion, Lily had forfeited the right to thanks.

She pushed up the window sash and stuck her head out. The air was warm and soft, the sun caressing. Early July was the best time of the summer, before the August heat roasted the city like a cut of beef.

Even for Dolly, the sight of the trees dappling the street was appealing, and she leaned her arms on the windowsill for a moment. Two women bicyclists rode by, both of them sitting straight and rigid at the high handle­bars. One was wearing knickerbockers and leggings, and Dolly noticed a passerby turn and glare. Many people were offended by these new bicycling outfits, Rational Dress, as they were called, but Dolly approved. She was happy to see women upset male tempers.

She retreated back to the kitchen, wondering if she was well enough to go out. She decided she was. She fancied some calf’s liver for her breakfast, and Cosgrove’s, the butcher, ­wasn’t too far. And she could go to the Dominion Brewery on Queen Street. They sold stale beer at a cheap price.

Her felt slippers loose on her feet, she shuffled off to the parlour to get dressed. Ever since they had moved to Toronto, Dolly had been essentially living in this one room, as she was usually too full to climb the stairs to her bedroom. She slept on a Turkish couch, and Lily brought her meals on a tray. It was not uncommon for Dolly to throw the food at her daughter if she was displeased and Lily screamed back, raw, wordless cries. In the kitchen the boys listened, ears pricked, wary as fox kits.

It took Dolly almost an hour to make the journey, but when she returned to the house, neither her daughter nor her foster sons had returned.

“Where is the slut?”

She poured herself some of the flat, bitter ale and took a long swallow. Her parched throat was eased at once. She put the package of meat on the table and opened it up, smoothing out the newspaper that the butcher had used to wrap the liver. Her glance was idle at first, but suddenly she paused, bent closer, and squinted at a photograph on the inside page.

“My, my, look who it ­isn’t.”

A smear of blood partly obscured the picture but the caption confirmed her. She plopped the liver on the table and carefully tore the piece out of the newspaper. She read the notice again. What luck. Good for her, but bad for the other one. Clutching the strip of paper, she trotted off to the parlour, moving with more vigour than she had in a long time.

The room was hot and buzzed with flies feeding off the remains of last night’s stew. The curtains were still closed but she ­didn’t open them. She could see well enough and she wanted privacy. Beneath the window was her prized desk. She went over to it, pulling out a leather thong that hung around her neck. The key was never anywhere else, and it was warm and greasy from nestling between her breasts. She unlocked the desk, rolled back the top, and sat down. There ­wasn’t much inside. A blotter, a tarnished silver inkwell and steel pen, a jar of her special herbs, the tin where she kept her money. Usually she enjoyed counting the coins and the bills, but today she shoved the tin aside and pulled open the drawer at the back of the desk. Reverently, she took out a vellum autograph album. One of her clients had left it behind years ago, and Dolly had appropriated it for use as her record book. The cover was soft and supple, royal blue with the word Friends embossed in gold letters. The paper was thick and creamy. She placed the piece of newspaper on the blotter, wiped her fingers on …