Informationen zum Autor Martin Walker Klappentext In a brilliant and ambitious thriller that combines elements of Jean Auel's The Clan of the Cave Bear and Ken Follett's The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time. Martin Walker's richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero. The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else... As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting's origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer's father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery?and cover-up?of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators. Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present. Leseprobe Chapter 1: Time: The Present Every interesting woman has a private smile, and Lydia Dean was startled by a brief, tantalizing glimpse of her own. Its reflection suddenly flashed on the glass covering a poster as she entered her cramped attic office, then it faded. She might almost have imagined it, and certainly there was no cause to smile. Determined not to show how much the interview with Justin had upset her, she closed the door firmly behind her and contemplated the imminent ruin of her empire. Yet for the first time that day, and despite the faint dismay at the prospect of unemployment, she felt her spirits lifting. It was a wry mood, inspired mainly by her sense of the ridiculous. Lydia never ceased to be amazed at the odd way her mind worked, the portentous phrases that suddenly popped into her thoughts. Empire? Ruin of Empire? She was simply facing the loss of a job that she did not much enjoy, although it allowed her to combine a career in art with a decent income. It was a kind of empire, she mused, as she gazed at the map of the ancient world that hung on her wall. Her territory stretched from ancient Greece back to the dawn of time, from the plains of India to the Pillars of Hercules. From Hittites to Hammurabi, she had traveled it and researched it, and could read some of its dead languages. As a student she had dug into its archaeological sites, extracted shards of pottery from harsh earth, and even sacrificed her toothbrush to scrub them clean. And now, despite her new skill at fending off passes from politically connected Ministers of Culture who could barely spell the word, she was trying, and probably failing, to make a living from it. Why on earth had she been so self-indulg...

Autorentext

Martin Walker is a former foreign correspondent in USSR, USA, Europe, and Africa for The Guardian (UK), author of histories of the Cold War and 20th century USA, and of studies of Gorbachev, Clinton, the extreme right, and more.

Klappentext

When a young American woman, who works at a London auction house, receives a 17,000-year-old fragment of a cave painting from a British soldier, she sets out to find the fragment's true origins.

Zusammenfassung
In a brilliant and ambitious thriller that combines elements of Jean Auel’s The Clan of the Cave Bear and Ken Follett’s The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time.

Martin Walker’s richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero.

The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else...

As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting’s origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer’s father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery—and cover-up—of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators.

Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present.

Leseprobe
Chapter 1: Time: The Present

Every interesting woman has a private smile, and Lydia Dean was startled by a brief, tantalizing glimpse of her own. Its reflection suddenly flashed on the glass covering a poster as she entered her cramped attic office, then it faded. She might almost have imagined it, and certainly there was no cause to smile. Determined not to show how much the interview with Justin had upset her, she closed the door firmly behind her and contemplated the imminent ruin of her empire. Yet for the first time that day, and despite the faint dismay at the prospect of unemployment, she felt her spirits lifting. It was a wry mood, inspired mainly by her sense of the ridiculous. Lydia never ceased to be amazed at the odd way her mind worked, the portentous phrases that suddenly popped into her thoughts. Empire? Ruin of Empire? She was simply facing the loss of a job that she did not much enjoy, although it allowed her to combine a career in art with a decent income.

It was a kind of empire, she mused, as she gazed at the map of the ancient world that hung on her wall. Her territory stretched from ancient Greece back to the dawn of time, from the plains of India to the Pillars of Hercules. From Hittites to Hammurabi, she had traveled it and researched it, and could read some of its dead languages. As a stu…