An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world''s foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.

Autorentext

Martin Salisbury is Professor of Illustration at the Cambridge School of Art, where he leads the renowned MA Children s Book Illustration programme. He has previously chaired the international jury at the Bologna Children s Book Fair and been a member of the jury at the Global Illustration Awards in China. His books include Children s Picturebooks: The Art of Visual Storytelling (2012), The Illustrated Dust Jacket: 1920 1970 (2017, Thames & Hudson) and Miroslav Sasek in the Illustrators series (2021, Thames & Hudson).

Inhalt

Introduction

1. Drawing and Illustration
Drawing: what is it?
Illustration: what is it?
Drawing and Me: Isabelle Arsenault
Knowing through drawing: the education of the illustrator
Born or `True ?: Edward Ardizzone and Lynton Lamb

2. The Basics
Observation: learning to see
Tools and materials
Line
Tone
Using line to suggest tone
Mark-making and printmaking, Christopher Brown
Composition and structure
Perspective
Drawing and colour, Vyara Boyadijieva
People and environments
Drawing animals
Drawing and photography
Tools and materials

3. From observation to Imagination: Making the links
Drawing from memory, Yann Kebbi
Simon Bartram: Monday Man
Bill Bragg: Making the links
Sketchbooks/ visual journals
John Vernon Lord: The journals
Sally Dunne: Sketchbooks and me
Alexis Deacon: Drawing, thinking and the psychology of `finished

4. Drawing and applied illustration
Editorial/ magazine illustration

• David Humphries: Newton s Cradle or `The biggest hum
  Book Illustration
• Evelyn Dunbar
• Pablo Auladell: La Feria Anbandonada
  Character development
• Fifi Kuo
• Ellie Snowdon
• Axel Scheffler: The evolution of a personal visual language
  Atmosphere and fantasy
• Victoria Turnbull
• Sheila Robinson
  Authorial graphic storytelling
• Isabel Greenberg
• Jon McNaught
  Advertising and display
• Kerry Lemon
• Frank Newbould
  Humour
• Paul Slater
  Reportage and graphic commentary
• David Hughes: Covid Diary
• Robert Weaver

• John Minton: Reportage for advertising
  Illustration and photography

  5. Postscript: A word about Style