Autorentext

The life of Marina Tsvetaeva (1892-1941), now recognised as a major Russian and indeed European poet of the 20th century, was marked to an unusual extent by the political and ideological conflicts of her time. Born to a privileged background in Moscow, the revolutions of 1917 brought her crushing hardship and deprivation, but also ushered in a period of unparalleled creativity as poet and playwright. In 1922 she left for the west to rejoin her husband, who had fought with the counter-revolutionary forces. In 1925 the family moved from near Prague to Paris. Their existence was marked by appalling poverty and a growing alienation from the Russian émigré community. When in 1937 her husband was implicated in an assassination carried out by the Stalinist secret services, Tsvetaeva saw no alternative but to follow him back to the USSR. After the Nazis invaded Russia, she was evacuated to Yelabuga, where she took her own life in August 1941. The publication of well over 1,800 letters, as well as her diaries and notebooks, has revealed her to be a thinker of quite exceptional daring and philosophical profundity.

Klappentext

Boris Pasternak is both the presiding spirit and the addressee of specific poems in After Russia, Marina Tsvetaeva’s last collection, published in Paris 13 years before she died. The two poets engaged in an impassioned correspondence which offers crucial insights into the background and meaning of certain items. If a group of remarkably tender poems concerns the emigré critic Alexander Bakhrakh, remarkably little space is devoted to Tsvetaeva’s cataclysmic affair with her husband’s friend Konstantin Rozdevich during the last months of 1923. Towards the end, references to Russia and Russian culture—so studiously avoided earlier—flood back, making the final obeisance to a Russian peasant woman and to Pasternak in Moscow a fitting close.