Performing Presidents

Autorentext
Maria Berlova is an independent scholar based in Washington, DC, USA. She holds two PhDs, from the Russian Academy of Theater Arts (GITIS) and Stockholm University. In 2018, Berlova published her book, Theater of the King. Gustav III and the Formation of the Swedish National Stage in Russian. In 2021, she published Performing Power: The Political Secrets of Gustav III (1771-1792) which focuses on the tight link between theater and politics during the Enlightenment in Sweden and other European countries. Berlova specializes in political theater, theatricality, and audience perception. Anja Hartl is Assistant Professor at the Department of English at the University of Innsbruck, Austria. She is the author of Brecht and Post-1990s British Drama: Dialectical Theatre Today and editor of the Methuen Drama Student Edition of The Threepenny Opera. Her research focuses on contemporary British theatre, Victorian fiction and adaptation studies. She co-edits the Methuen Drama Agitations Series.William C. Boles holds the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA. He edited Theater in a Post-Truth World: Text, Performance, and Politics **and After In-Yer-Face: Remnants of a Theatrical Revolution and authored The Argumentative Theatre of Joe Penhall, Understanding David Henry Hwang and Mike Bartlett.

Klappentext
Unpacking the phenomenon of celebrity presidents, this book explores how theatrical techniques function as expedient yet potentially dangerous tools in contemporary politics. What can be done once politics is seen only as performance, and hybrid wars or nuclear annihilation are perceived to be just another spectacle? By limiting its scope to former actors and showbusiness figures, this book centers on the prominent 20th- and 21st-century populist leaders Ronald Reagan, Donald Trump, and Volodymyr Zelensky. It explores how such figures transitioned from theatrical engagements to the presidency, including how their political life was reframed as a theatrical event. This book reveals the various ways these presidents approached political performance and incorporated entertainment elements into it in order to shift the norms of political representation and disrupt communication modes. It further explores how these populist figures personalized and fictionalized their presidential role by means of storytelling and the bodily enactment of their myth. In contrast to the methodology of TV entertainment used in Reagan's era, modern technology has permitted Trump and Zelensky to embrace an innovative 'distributed aesthetics' approach. Owing to its virtual nature, this technique transcends spatial and temporal limitations, while simultaneously rendering celebrity presence ubiquitous and exaggerating the illusion of intimacy between ruler and populace.