This book offers intriguing philosophical inquiries into biotechnological art and the life sciences, addressing their convergences as well as their epistemic and functional divergences. Rooted on a thorough understanding of the history of philosophy, this work builds on critical and ontological thought to interpret the concept of life that underscores first-hand dealings with matter and experimentation. The book breaks new ground on the issue of animality and delivers fresh posthumanist perspectives on the topics addressed. The authors embark on a deep ontological probe of the concept of medium as communication-bridging and life-bearing. They also take on the concept of performativity as biotechnological art.

The book includes concrete, well-documented case studies and shows how certain narratives and practices directly impact ideas surrounding science and technologies. It will interest philosophers in art and technology, aesthetics, ontology, and the life sciences. It will also engage art practitioners in art and science, curators and researchers.

First book to discuss art, science as fusion of philosophical abstraction, artistic, scientific experimentation Includes illustrative case studies Rethinks concept of the medium

Autorentext

María Antonia González Valerio, PhD in Philosophy, full Professor at the Faculty of Philosophy and Literature of the National Autonomous University of Mexico. Director of the Seminar Arte+Ciencia, which brings together artists, academics and scientists to work interdisciplinarily producing graduate education, specialized theoretical research, artistic artworks and practices and exhibitions. She is also a curator and leader of the artistic collective Bios ex Machina. Leader of the research project "Media and Species: Ecology and Evolution in Natural Philosophy" linked to the Faculties of Sciences and Philosophy and Literature at UNAM. She is the proponent of a philosophy of nature within an ontology-aesthetics. She has presented her philosophy in universities across the world: North America, Latin America, Europe and Asia.Polona Tratnik, PhD in Philosophy, full Professor, is the Dean of the Faculty for Slovenian and International Studies of New University in Ljubljana, Slovenia. She is scientific councilor, the leader of the research project Social Functions of Fairy-Tales. She used to be the leader of the national research program Research of Cultural Formations, the Dean of Alma Mater Europaea - Institutum Studiorum Humanitatis, Faculty for Postgraduate Studies (2016-2019), Head of the Department for Cultural Studies of the Faculty for Humanities of the University of Primorska. In 2012 she was a Fulbright Visiting Scholar at the University of California Santa Cruz. She was a guest Professor at University of California Santa Cruz, as well as at Capital Normal University in Bejing, China, at Helsinki TAIK, Finland, and at National Autonomous University of Mexico. She teaches at University of Ljubljana, Faculty of Arts and at Academy of Fine Arts and Design, at University of Maribor, Faculty of Education, at Faculty for Design, associate member of the University of Primorska. She is the president of Slovenian Society of Aesthetics (since 2011) and executive committee member of the International Association of Aesthetics.

Inhalt
Part 1: Ontologies Performing Life.- 1.Life in a medium Rethinking the Possibilities of Art and Bio-Media from an Aesthetic Ontology.- 2.The Ontology of Micro-Performativity.- Part 2: Politics of Technologies.- 3. Transgenesis as Art, Art as Infection. The Case of Adam Zaretsky.- 4. On Technique and Spaces.- Part 3: Animalities. Breaking Through.- 5. Breaking Through Animalities. On Spaces and Limits.- 6. Becoming Animal as Biopolitical Resistance.- 7. Animal Encounters.- 8. The Animalistic Sublime.- The Axolotl Immersed in its Spatiality.- Index.