SHORTLISTED for the International Booker Prize 2026 On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison's waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.

Autorentext

Ana Paula Maia is the author of On Earth As It Is Beneath , shortlisted for the International Booker Prize 2026. Her novel Of Cattle and Men won the UK Republic of Consciousness Prize, the inaugural Cercador Prize for Literature in Translation in the United States, and an English PEN Translates Award. An award-winning Brazilian writer and scriptwriter, she is widely regarded as one of the most distinctive voices in contemporary Brazilian fiction.

Padma Viswanathan is a Canadian-American writer and translator. Her novels have been shortlisted for the PEN USA and Scotiabank Giller Prizes. Her work has appeared in Granta , The Boston Review and BRICK . Her translations include São**Bernardo by Graciliano Ramos. She teaches at the University of Arkansas.

Klappentext

INTERNATIONAL BOOKER PRIZE SHORTLISTED 2026On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison's waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.