'In the destructive element immerse.' These words from Joseph Conrad's Stein in Lord Jim cast a shadow over twentieth-century literature. At the same time, Freud's bleak prognosis of culture's discontents left a psychoanalysis with a legacy that found one of its most profound realisations in the play-rooms of British child psychoanalysis. In this book, Lyndsey Stonebridge offers a new perspective on the history of our fascination with culture's discontents by returning to British psychoanalysis and second-wave modernism.

Autorentext

LYNDSEY STONEBRIDGE is a Lecturer in English in the School of English and American Studies at the University of East Anglia. She is the editor (with John Phillips) of Reading Melanie Klein.

Zusammenfassung
At the same time, Freud's bleak prognosis of culture's discontents left a psychoanalysis with a legacy that found one of its most profound realisations in the play-rooms of British child psychoanalysis.

Inhalt
Preface Acknowledgements Introduction From Bokhara to Samara: Psychoanalysis and Modernism Sticks for Dahlias: The Destructive Element in Literary Criticism and Melanie Klein Is the Room a Tomb? Virginia Woolf, Roger Fry and the Kleinians Rhythm: Breaking the Illusion Stone Love: Adrian Stokes and the Inside Out Frames, Frontiers and Fantasies: 'Nasty Ladies Within' Marion Milner and Stevie Smith Notes Selected Bibliography Index