Literature and Error comprises a series of essays from French scholars who seek to lay down the foundations of a literary theory that would argue for the productivity of errors (and mistakes) in literary works.

Literature and Error comprises a series of essays by French scholars who seek to lay down the foundations of a theory that would argue for the productivity of errors and mistakes in literary works. While the "necessity of errors" has repeatedly been tackled from a philosophical angle, rarely has the demonstration been attempted from the standpoint of literature. Beyond the thematic importance of errors (evidenced in the age-old motifs of learning from one's errors, mistaken identities, malapropism, comic or tragic misunderstandings, hamartia, the fallibility of man, etc.), the proposition is made here that errare is not just humanum but also literariumthat "Erring Becomes Literature" with or, preferably, without corrections. Indeed, approached from various angles, it is the literariness of errors and mistakes that this joint study sets out to explore. Modern and contemporary Anglo-American literature structurally accommodates and even welcomes errors. Ranging from Edgar Allan Poe, James Joyce, and Jonathan Franzen to Robert Browning and Elizabeth Bishop, the authors and works discussed assess the seaworthiness of errors when launched into deep (literary) water. Viewed in that light, errors not only cease to be errors of something (of taste, conception, judgment, calculation), they become errors per se, valued for their own sake. Deliberately comprehensive and broad-ranging, this volume should appeal not just to scholars and students but also to readers who share an interest in theory and close reading alike.

Autorentext

Marc Porée is Professor of English Literature at the Ecole Normale Supérieure in Paris, where he runs the LILA (Literature and Languages) Department and teaches British and postcolonial literature. When he is not publishing on Romantic poets and translating, Porée writes on British and postcolonial contemporary fiction and/or Victorian or contemporary poetry. Isabelle Alfandary is Professor of American Literature at Sorbonne Nouvelle University in Paris, where she teaches American poetry, fiction, and critical theory. As Director of Programme at the Collège International de Philosophie (CIPh), her seminars deal with the intersection of philosophy and psychoanalysis. She recently authored Derrida-Lacan, L écriture entre psychanalyse et déconstruction (2016).

Klappentext

Literature and Error comprises a series of essays by French scholars who seek to lay down the foundations of a theory that would argue for the productivity of errors and mistakes in literary works. While the "necessity of errors" has repeatedly been tackled from a philosophical angle, rarely has the demonstration been attempted from the standpoint of literature. Beyond the thematic importance of errors (evidenced in the age-old motifs of learning from one s errors, mistaken identities, malapropism, comic or tragic misunderstandings, hamartia, the fallibility of man, etc.), the proposition is made here that errare is not just humanum but also literarium that "Erring Becomes Literature" with or, preferably, without corrections. Indeed, approached from various angles, it is the literariness of errors and mistakes that this joint study sets out to explore. Modern and contemporary Anglo-American literature structurally accommodates and even welcomes errors. Ranging from Edgar Allan Poe, James Joyce, and Jonathan Franzen to Robert Browning and Elizabeth Bishop, the authors and works discussed assess the seaworthiness of errors when launched into deep (literary) water. Viewed in that light, errors not only cease to be errors of something (of taste, conception, judgment, calculation), they become errors per se, valued for their own sake. Deliberately comprehensive and broad-ranging, this volume should appeal not just to scholars and students but also to readers who share an interest in theory and close reading alike.

Zusammenfassung
Literature and Error comprises a series of essays from French scholars who seek to lay down the foundations of a literary theory that would argue for the productivity of errors (and mistakes) in literary works.

Inhalt

Acknowledgments - Isabelle Alfandary/Marc Porée: Introduction - Marc Porée: Glances at a Poetics of Error - François Crampe: "Truth Broken in Prismatic Hues": False Prophets, Ambiguous Testimonies, and Poetic Truth in the Works of Robert Browning - Christine Savinel: Take a Closer Look, or the System of Error in Elizabeth Bishop's Poetry - Fanny Quément: "That day I'll be in step with what escaped me": Senses and the Rhythm of Error in the Work of Seamus Heaney - Jean-Jacques Lecercle: Error/Mirror: How to Generate Fiction - Jean-Pierre Naugrette: Has Mr. Utterson the Right to Err? - Catherine Lanone: Literature and the Sensation of Error - Dennis Tredy: Henry James's "Theatre of Error and Renouncement": Guy Domville and the Novels of the Experimental Period - Isabelle Alfandary: Errare Americanum Est: On Errors in American Fiction - Sylvain Belluc: "Language Never Errs": A Saussurean Study of Some Mistakes in James Joyce's Works - Juliette Nicolini: The-Forced?-Choice of Error in Sorrentino's Writing - Laurent Mellet: Comic Mistakes and Intimate Errors in Jonathan Coe's Fiction - Béatrice Pire: Jonathan Franzen's Tragi-Comedy of Errors - Contributors.