Informationen zum Autor Kristin Linklater worked as a voice coach at the Royal Shakespeare Company before moving to the US. She has worked with many theatres and theatre groups, including the original theatre at Lincoln Center, the Guthrie Theater, the Negro Ensemble Company, the Open Theater and Shakespeare & Company. Klappentext The classic voice-training book for actors, teachers of voice and speech and anyone interested in vocal expression - by a pre-eminent voice teacher, actor and director. Fully revised and expanded edition. Linklater's approach is to liberate the voice you have rather than apply vocal techniques from the outside. Her basic assumption is that everyone possesses a voice capable of expressing whatever emotion, mood or thought he/she experiences. This edition incorporates vocal exercises developed over three decades to help the voice connect viscerally with language - a key element in the actors' craft. 'a radical breakaway from the old formal methods... an invaluable new resource... essential' Educational Theatre Journal'the best and only work of its kind for vocal training' Educational Theatre News Zusammenfassung The classic voice-training book for actors, teachers of voice and speech and anyone interested in vocal expression by a pre-eminent voice teacher, actor and director.

Autorentext

Kristin Linklater worked as a voice coach at the Royal Shakespeare Company before moving to the US. She has worked with many theatres and theatre groups, including the original theatre at Lincoln Center, the Guthrie Theater, the Negro Ensemble Company, the Open Theater and Shakespeare & Company.

Klappentext

The classic voice-training book for actors, teachers of voice and speech and anyone interested in vocal expression - by a pre-eminent voice teacher, actor and director. Fully revised and expanded edition. Linklater's approach is to liberate the voice you have rather than apply vocal techniques from the outside. Her basic assumption is that everyone possesses a voice capable of expressing whatever emotion, mood or thought he/she experiences. This edition incorporates vocal exercises developed over three decades to help the voice connect viscerally with language - a key element in the actors' craft. 'a radical breakaway from the old formal methods... an invaluable new resource... essential' Educational Theatre Journal'the best and only work of its kind for vocal training' Educational Theatre News