Autorentext

Lily Hibberd is an interdisciplinary artist, academic, and writer working on questions around frontiers of time, memory, and the cosmos. Presented in more than fifty international exhibitions and festivals, her work combines performance, writing, painting, photography, sound, moving images, and installation art. She is the founding editor of the art writing publication un Magazine and a frequent author and co-author of books, essays, and journal articles. Dr Lily Hibberd is a researcher at Université Paris Cité and EPFL Laboratory for Experimental Museology, and Adjunct Lecturer at UNSW Sydney.

Sarah Kenderdine is Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland. She leads the Laboratory for Experimental Museology (eM+), exploring the convergence of immersive visualization, digital aesthetics, and cultural big data. Sarah directed EPFL Pavilions from 2017 to 2024, and now leads international touring exhibitions as curator-at-large. She is Corresponding Fellow of the British Academy, Visiting Professor at Hong Kong Baptist University, and Adjunct Professor at UNSW Sydney. Sarah has produced more than one hundred exhibitions for museums worldwide and numerous scholarly publications.

Klappentext

Deep Fakes: A Critical Lexicon for Digital Museology is an illustrated monograph articulated through a comprehensive lexicon of key concepts in next generation museology.

Inhalt

Introduction; Lexicon; Chapter 1 Deep Fakes: Art and Its Double - the exhibition; Chapter 2 New materialities; Chapter 3 New mimetics; Chapter 4 Simulacrum; Chapter 5 Reenactment; Chapter 6 Peripheral vision; Chapter 07 New values; Chapter 08 Speaking back; Chapter 09 Paradigms of participation; Chapter 10 Voices of visitors; Conclusion - Towards future-focused curatorship; End matter; List of illustrations