This collection of interdisciplinary and multicultural essays takes a novel approach to the ancient theory of the Harmony of the Spheres and the notion of musical harmony. The idea of the harmony of the spheres is an old and venerable one, finding a parallel between the orderly nature of the cosmos and that of music. Wherever there is discussion of order, number, and frequency, connections to music are close at hand. Modern physics, while on the surface a long way from such ideas, tells a not dissimilar story. Here all things are in motion, ever oscillating, and since sound is a kind of vibration, we have the harmony of spheres built in from the ground up. There is a rhythm to the processes in nature too, from the planetary orbits down to the periodicity of atoms, to the beat of the heart and the circadian cycle. Harmony and rhythm seem to push through into the social world too, offering analogies for ordering (or disordering) societies. Therapeutic connections to health are becoming more apparent, with music able to control many bodily functions via the linkages between brain, heart, lungs, and other systems, which can treat illnesses caused by stress - or, inversely, music might trigger stress. This volume presents both old and new approaches to the idea of the harmony of spheres, alternately returning to and revitalizing ancient ideas and taking entirely novel perspectives. Anchored in classical philosophy and religious sources, reflecting Muslim, Jewish, Sufi, Aboriginal, Alchemical/Hermetic/Occult, Kabbalistic, and Zoroastrian thought, this comprehensive work marks a timely reassessment of a perennial idea.

Autorentext
Ken Parry is Honorary Senior Research Fellow in the Department of History and Archaeology at Macquarie University, Sydney, Australia. He researches and publishes in the fields of Late Antiquity, Byzantine Studies, and Eastern Christianity. He is the author of Depicting the Word: Byzantine Iconophile Thought of the Eighth and Ninth Centuries (1996), and editor of The Church of the East: Life and Thought (1996), The Blackwell Dictionary of Eastern Christianity (1999), The Blackwell Companion to Eastern Christianity (2007), The Wiley Blackwell Companion to Patristics (2015), and founding editor (2012) of Brill's Texts and Studies in Eastern Christianity series. He has recently contributed to The Cambridge Intellectual History of Byzantium (2017), Brill's Companion to Byzantine Iconoclasm (2021), and Brill's Companion to Byzantine Philosophy (forthcoming). He is currently editing and contributing to Brill's Companion to John of Damascus. Dean Rickles is Professor of History and Philosophy of Modern Physics at the University of Sydney and a co-director of The Centre for Time, Australia. He is editor of The Routledge Series on Philosophy of Physics and Mathematics. He is author of Life is Short: An Appropriately Brief Guide to Making it More Meaningful (2022) Dual-Aspect Monism and the Deep Structure of Meaning (co-authored with Harald Atmanspacher, 2022), Covered with Deep Mist: The Development of Quantum Gravity (2020), What is Philosophy of Science? (2020), Philosophy of Physics (2016), A Brief History of String Theory: From Dual Models to M-Theory (2014), Symmetry, Structure and Spacetime (2007), and editor of Quantum Gravity and Computation: Information, Pregeometry, and Digital Physics (forthcoming), Varieties of Nothingness (co-edited with Leslie Stein, 2023), Quantum Gravity in the First Half of the 20th Century: A Sourcebook (co-edited with Alex Blum, 2018), Thinking about Science, Reflecting on Art (co-edited with O. Bueno, G. Darby, and S. French, 2017), Information and Interaction: Eddington, Wheeler, and the Limits of Knowledge (co-edited with Ian Durham, 2016), Structural Realism: Structure, Object, and Causality (co-edited with Elaine Landry, 2012), The Role of Gravitation in Physics (co-edited with Cécile DeWitt, 2011), Ashgate Companion to Contemporary Philosophy of Physics (2008), and The Structural Foundations of Quantum Gravity (co-edited with Steven French and Juha Saatsi, 2006).

Inhalt
List of Illustrations
Acknowledgements
Editors' Introduction

I. Early, Medieval, and Renaissance

1. The Harmony of the Spheres in Late Antiquity and the Early Medieval Period in the East
   Ken Parry (Macquarie University, Australia)
   2. Music and Theoretic Awakening from Plato to Augustine
   Eva Anagnostou-Laoutides (Macquarie University, Australia)

2. Apollo, The Sirens, and The Pregnant Weaver. Marsilio Ficino on Heavenly Music and Human Fate
   Anna Corrias (Ralston College, Georgia)

   II. Harmony, Disharmony, and the Demonic

3. Musicriminology: Disharmony, Dissent, and Dissonance
   Murray Lee (University of Sydney, Australia)

4. Music as Harmony of Ontological Spheres: The Demonic in the Age of Artificial Intelligence
   Goetz Richter (University of Sydney, Australia)

   III. Health and Well-being

5. Music and Health: Embracing the Ineffability of Sound and Why It Matters
   Ange Weinrabe (University of Sydney, Australia) & Eran Asoulin (Independent Scholar, Australia)

6. Disciplining Harmony: Disciplining Harmony: a transdisciplinary historical interrogation of the 'disciplining' of music in education, and its impact on music participation in society
   Georgia Pike-Rowney (Australian National University, Australia)

   IV. Perspectives on Space and Spheres

7. Bach and the Planets
   Madeleine Easton (Bach Akademie Australia, Australia)
8. Reimagining the Music of the Spheres: An Art-Science Collaboration
   Kim Cunio (Victoria University of Wellington, New Zealand), Nigel Meredith (British Antarctic Survey, UK), & Diana Scarborough (Independent Scholar,UK)

9. Celestial Harmonies of Sky Country in Australia and Oceania
   Duane Hamacher (University of Melbourne, Australia), Rachel Morgain (University of Melbourne, Australia), & Gerhard Wiesenfeldt (University of Melbourne, Australia)

   V. Esoteric Aspects

10. Music and the Sphere in Persian Unified Creative Practice
    Malek Mohammadi Nejad Charghouyeh (Australian National University, Australia)
    12. Trinity and Quaternity from Kepler-Fludd to Pauli-Jung
    Harald Atmanspacher (ETH Zurich, Switzerland)
    13. Music, Immortality, and the Soul
    Dean Rickles (University of Sydney, Australia)

    List of Contributors
    Index