Informationen zum Autor Kate Chopin (1851-1904) did not begin to write until she was thirty-six years old. Up to that time, her life gave no hint of either literary talent or literary ambition. Yet after the publication of her first stories in 1889, she enjoyed ten years of a productive, serious, and fairly successful career. Her first novel, At Fault (1890), had difficulty finding a publisher, so she brought it out at her own expense and sent review copies to important journals. Her short storiesclose to a hundred of themwere published for the most part in prestigious national magazines. They gave her a solid reputation as a gifted 'local color' writerthat is, an author specializing in the depiction of a particular region of the country and its inhabitants. From these many stories, she culled two well-reviewed collections: Bayou Folk in 1894 and A Night in Acadie in 1897. The Awakening , now her best-known work, appeared in 1899. Critics of Chopin's own day disapproved of the sexual frankness of The Awakening and were especially disturbed by the narrator's neutrality toward the unconventional behavior of Edna Pontellier, the heroine. All reviews of the novel were unfavorable. Soon after this setback, a planned third collection of short stories was rejected by a publisher, and Kate Chopin essentially ceased to write. In poor health, she died some five years after The Awakening appeared. She was only fifty-three. Klappentext Kate Chopin's riveting! daring story of one woman's search for personal freedom was so far ahead of its time that its publication in 1899 aroused a storm of controversy violent enough to end its author's career. With an effortless! sure-handed artistry! Chopin tells the story of Edna Pontellier! a young mother and model wife! whose romantic involvement with a young man during a vacation at a seaside resort allows her for the first time to imagine a new! freer life. Upon her return to New Orleans! Edna leaves her husband's home for her own cottage and begins an affair! only to discover that the constraints of social custom may be more powerful than she thought. Contemporary readers and reviewers were shocked by the frank! unapologetic treatment of adultery in The Awakening . The fact that we have the book at all is the most convincing tribute to its enduring! irrepressible power. Introduction by Elaine Showalter (Book Jacket Status: Not Jacketed) THE AWAKENING I A GREEN AND yellow parrot, which hung in a cage outside the door, kept repeating over and over: Allez vous-en! Allez vous-en! Sapristi! That's all right! He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence. Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow bridges which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mocking-bird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining. He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quit...

Autorentext
Kate Chopin (1851-1904) did not begin to write until she was thirty-six years old. Up to that time, her life gave no hint of either literary talent or literary ambition. Yet after the publication of her first stories in 1889, she enjoyed ten years of a productive, serious, and fairly successful career. Her first novel, At Fault (1890), had difficulty finding a publisher, so she brought it out at her own expense and sent review copies to important journals. Her short stories—close to a hundred of them—were published for the most part in prestigious national magazines. They gave her a solid reputation as a gifted 'local color' writer—that is, an author specializing in the depiction of a particular region of the country and its inhabitants. From these many stories, she culled two well-reviewed collections: Bayou Folk in 1894 and A Night in Acadie in 1897. The Awakening, now her best-known work, appeared in 1899. 

Critics of Chopin's own day disapproved of the sexual frankness of The Awakening and were especially disturbed by the narrator's neutrality toward the unconventional behavior of Edna Pontellier, the heroine. All reviews of the novel were unfavorable. Soon after this setback, a planned third collection of short stories was rejected by a publisher, and Kate Chopin essentially ceased to write. In poor health, she died some five years after The Awakening appeared. She was only fifty-three.

Klappentext

Kate Chopin's riveting, daring story of one woman's search for personal freedom was so far ahead of its time that its publication in 1899 aroused a storm of controversy violent enough to end its author's career.

With an effortless, sure-handed artistry, Chopin tells the story of Edna Pontellier, a young mother and model wife, whose romantic involvement with a young man during a vacation at a seaside resort allows her for the first time to imagine a new, freer life. Upon her return to New Orleans, Edna leaves her husband's home for her own cottage and begins an affair, only to discover that the constraints of social custom may be more powerful than she thought. Contemporary readers and reviewers were shocked by the frank, unapologetic treatment of adultery in The Awakening. The fact that we have the book at all is the most convincing tribute to its enduring, irrepressible power.

Introduction by Elaine Showalter

(Book Jacket Status: Not Jacketed)

Leseprobe
THE AWAKENING
 
I
 
A GREEN AND yellow parrot, which hung in a cage outside the door, kept repeating over and over:
 
“Allez vous-en! Allez vous-en! Sapristi! That's all right!”
 
He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.
 
Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow “bridges” which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mocking-bird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.
 
He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.
 
Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair …