Informationen zum Autor
Kacey Link, D.M.A., is a pianist and scholar residing in Southern California. Kristin Wendland, Ph.D., is a Senior Lecturer at Emory University Department of Music. Together they have given lectures and presentations on Argentine tango throughout the United States as invited university guests and for professional societies.

Klappentext
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. It first establishes parameters for tango scholarship and then offers ten in-depth profiles of representative tangueros within the genre's historical and stylistic trajectory.

Zusammenfassung
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. It first establishes parameters for tango scholarship and then offers ten in-depth profiles of representative tangueros within the genre's historical and stylistic trajectory.

Inhaltsverzeichnis
Acknowledgments; About the Companion Website; Introduction. Argentine Tango: A Multidimensional Art Form; Part One: Argentine Tango Instrumental Music; I. What Makes It an Argentine Tango?; II. Trajectory of Argentine Tango Instrumental Music; III. Arranging and Performance Techniques; Part Two: Representative Argentine Tangueros and Their Orchestras from the Guardia Nueva to Today; IV. The Guardia Nueva and the Golden Age (1925-55); Julio De Caro; Anibal Troilo; Osvaldo Pugliese; Cafecito Interlude: Juan D'Arienzo and Carlos Di Sarli; V. Post-Golden Age (1955-1990); Horacio Salgan; Astor Piazzolla; Julian Plaza; Leopoldo Federico; Cafecito Interlude: Rodolfo Mederos and Nestor Marconi; VI. The Music of Buenos Aires (1990-present); Damian Bolotin; Sonia Possetti; Juan Pablo Navarro; Postre: Part Two Conclusion; Notes; Bibliography; Index of Titles and Translations; General Index

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Autorentext

Kacey Link, D.M.A., is a pianist and scholar residing in Southern California. Kristin Wendland, Ph.D., is a Senior Lecturer at Emory University Department of Music. Together they have given lectures and presentations on Argentine tango throughout the United States as invited university guests and for professional societies.

Klappentext

Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. It first establishes parameters for tango scholarship and then offers ten in-depth profiles of representative tangueros within the genre's historical and stylistic trajectory.

Inhalt

• Acknowledgments

• About the Companion Website

• Introduction. Argentine Tango: A Multidimensional Art Form

• Part One: Argentine Tango Instrumental Music

• I. What Makes It an Argentine Tango?

• II. Trajectory of Argentine Tango Instrumental Music

• III. Arranging and Performance Techniques

• Part Two: Representative Argentine Tangueros and Their Orchestras from the Guardia Nueva to Today

• IV. The Guardia Nueva and the Golden Age (1925-55)

• Julio De Caro

• Aníbal Troilo

• Osvaldo Pugliese

• Cafecito Interlude: Juan D'Arienzo and Carlos Di Sarli

• V. Post-Golden Age (1955-1990)

• Horacio Salgán

• Astor Piazzolla

• Julián Plaza

• Leopoldo Federico

• Cafecito Interlude: Rodolfo Mederos and Néstor Marconi

• VI. The "Music of Buenos Aires" (1990-present)

• Damián Bolotin

• Sonia Possetti

• Juan Pablo Navarro

• Postre: Part Two Conclusion

• Notes

• Bibliography

• Index of Titles and Translations

• General Index